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Just that 20MP sensor of the GX8 would have done itYes ... 28Mpixel sensor of NX500/NX1 is a big advantage.
Does the GH series Panasonics already have no AA filter? Also from the Olympus side the E-M1 also has no AA filter.Plan to get one despite already having the 8. Here are features that I like: form factor/size, tilty instead of selfie screen, no AA filter, don't have to be concerned regarding SS. Black body with black 12-32mm looks so nice.
If I want lot of detail or to print at very large size, I will have to resort to others FF systems such as Sony 42mp.
E-M1 and Pen-F are only the m43 that don't have low pass filter. The GH series are catering for the video crowd and removing moire may not be as easy as still. That is why Pana put AA filter in these cameras. The last point is my speculation as I don't really know much about making video.Does the GH series Panasonics already have no AA filter? Also from the Olympus side the E-M1 also has no AA filter.
But sans AA filter, so not quite the same?... same boring 16mpx sensor
It's alway a puzzle to me to read the contrasting opinions on needs for resolution.Plan to get one despite already having the 8. Here are features that I like: form factor/size, tilty instead of selfie screen, no AA filter, don't have to be concerned regarding SS. Black body with black 12-32mm looks so nice.
If I want lot of detail or to print at very large size, I will have to resort to others FF systems such as Sony 42mp.
And so I remarked about these --his WWWeb site has a photographic *tour* of the effort to build the exhibition (which included a short boat ride!)--, and learned from Gianni:[viewer praise] I visited this show yesterday (a good excuse to visit Venice). The prints are really breathtaking. Very impressive. The Wilmotte Foundation space is excellent as well, second I've been there. Your photos look good on the web, Gianni, but printed big they are just fantastic. It was a pity that the book was not available in the gallery. Complimenti!
[GG's reply]
Thank you, David.
Putting up the show has been a good excuse to visit Venice for me as well!
Yes, the Wilmotte Foundation's space is fantastic, and has been a powerful source of inspiration to me when designing the exhibition layout.
Giving the visitor a strong visual experience was my first aim. In a time when almost anybody has a forty-inch TV set at home, showing smaller prints than in a tea-table photo book, as most galleries do, is simply unacceptable IMHO.
... and result from good shooting & processing & printing.Part of the "Elogio" exhibition was shot with the 18Mpx Monochrom, yes. But earlier photographs are the output of Micro Four Thirds cameras, such as 12 Mpx Olympus Pen, [as well as] Canon PowerShot G10 and G15, Sigma DP2 Merrill, and Leica M9-P.