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You are welcome!Tareq: Thank you for sharing.
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You are welcome!Tareq: Thank you for sharing.
These are a hoot! Good stuff!1972. University District Street Fair (next to the University of Washington). Nikkormat. Thanks for looking down memory lane with me. Cheers, Matt
http://mdriscoll.zenfolio.com
I really like that little hint of something happening up on the expressway.
They are all great, but I especially like this one. B&W lonely roads with good vanishing points are dear to my heart.
Claire: Thank you!These are a hoot! Good stuff!
GSW690III, Acros 100, developed by lab with TMAX[as they told me]
Tareq: Nicely done. This one really has a quality to it. Pretty young lady; pretty smile. Cheers, Matt
Both with Hasselblad 501CM, 150mm CF, PanF+ 50, souped in Ilfosol 3 [1+14] by myself
Thanks Matt!Tareq: Nicely done. This one really has a quality to it. Pretty young lady; pretty smile. Cheers, Matt
Amazing works, love'm and the last one is my favorite, well done!Some more from my increasingly distant past. Cheers, Matt
Early 1970's, near Pike Place Market
http://mdriscoll.zenfolio.com
Tareq: Thank you. She has an intense look. Makes you wonder what she's doing now; 38 years after that photo was take. Cheers, Matt.Amazing works, love'm and the last one is my favorite, well done!
I like these a lot more than the betterlight images. I don't know why yet, but I'm thinking on it. The aspect ratio is spot on, too; it makes me think of individual pool lanes as relating to your vision and taking visual "laps" through the space.
edit: on that note, betterlight scans--the literal act of scanning--is rather reminiscent of laps and the motion of water itself. still like these more, though--maybe it's the almost saccharine feel of the soft focus in *this* environment that doesn't work for me as well. almost too obvious: the soft focus in the "hard" area. dunno. either way, you're the still bee's knees and I dig all of your work--i'm talking in degrees of awesome here