Georg Baumann
Subscriber Member
I know I saw that before, but I forgot where.
Someone, I think it was Jeff Schewe, had a way to use 2 versions of the same picture so that he had them both on the screen, whereby one version was showing a softproof and the other not. He could even scroll in one window over the picture and the other moved in sync.
The reason for that was simple.
You adjust your picture to your likes, then you do a softproof of paper xyz, and well, it looses some punch that you just managed to like. This way he could adjust his layers until the softproof came to the level of his original.
Now, I can not remember whether he did that in Photoshop or something else. Anyone around knows how that worked? Thanks.
Someone, I think it was Jeff Schewe, had a way to use 2 versions of the same picture so that he had them both on the screen, whereby one version was showing a softproof and the other not. He could even scroll in one window over the picture and the other moved in sync.
The reason for that was simple.
You adjust your picture to your likes, then you do a softproof of paper xyz, and well, it looses some punch that you just managed to like. This way he could adjust his layers until the softproof came to the level of his original.
Now, I can not remember whether he did that in Photoshop or something else. Anyone around knows how that worked? Thanks.