JimCollum
Member
love it!!! keep shooting this! (safely)Thanks for the encouragement!!
I think I got a handle on it:toocool: ... here's one from the 16th floor and I'm off to bed.
jim
Great to see you here. Join our insightful photographic forum today and start tapping into a huge wealth of photographic knowledge. Completing our simple registration process will allow you to gain access to exclusive content, add your own topics and posts, share your work and connect with other members through your own private inbox! And don’t forget to say hi!
love it!!! keep shooting this! (safely)Thanks for the encouragement!!
I think I got a handle on it:toocool: ... here's one from the 16th floor and I'm off to bed.
That is a great pano , Jack .Here's another one, but cropped to pano format. IIRC, this was taken with a Computar 210 on Astia, facing West just at sunrise:
OK Jack... That "magenta cast" was real --- it is fairly common to get a magenta to blue sky gradient during early morning and evening light in the desert. You'll notice it's only in the sky, and not on the trees or building...
MCS? oh I see now that is is....man it is a shame about cass tech!!!Thanks for the encouragement!!
I think I got a handle on it:toocool: ... here's one from the 16th floor and I'm off to bed.
That's a sweet little photo. Who is in the tree? What was the location - Gulf Coast?Here's one of my latest. A little while ago already, I need to do 4x5" more... Fuji 160 NPS, beaten up Busch Pressman D, Angulon 90/6.8. No miracles, but it does the job. Comments welcome!
Gulf coast? I wish! This is in near Utrecht, the Netherlands, it's not your average sight, sadly. The person in a friend I asked to pose for me. If I ever get to printing this on 20x24" you'd be able to see she's writing in her journal..That's a sweet little photo. Who is in the tree? What was the location - Gulf Coast?
Don
I can't help with any technical comments, but I know a beautiful image when I see one, and this is certainly beautiful.I welcome all. Approximately one year ago, I began to shoot in landscape at 9x12, see Technical questions I have not bothered you before, I had operational experience in technical photography, including with the use of LF. Landscape for my new employment, so your comments will be very useful for me. Linhof Technica, SA65, f19, 1 / 30, Film E100G. Miass River, Southern Ural Mountains, Russia.
Yuri, I like the image as is. But you are correct working with transparency film in these contrasty lighting conditions most assuredly pushes the envelop of what is obtainable from deep shadow to highlight. Regarding the use of Lab mode, a little goes a long with this that tool.Thank you Lloyd and Lars! For me Your words are a big score. Yes Lars course you are right you can wait 30-40 minutes, but after 60 minutes of the walls of the canyon is covered by shadow, including the trees on the right. Also I wanted to keep the texture in the foreground and the shades of shrubs right after they'd lost in the shadows. Contrast the scene is very high I could not even put it in the breadth of E100G-bottom right corner, possibly due to lack center-filter. Lars is the saturation curves of channels in the LAB, again failed to meet the breadth of the film can play as Velvia.