f 10
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Re: Three from today...
thanks for sharing
nice :thumbup:plus, my son found a frog..
thanks for sharing
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nice :thumbup:plus, my son found a frog..
thank you, Lloyd! it was either that or one of the pony tailAwesome!:salute:
I felt the same about Sean's review, and about the 18/3.8 with all the amazing images posted here recently. I tend to shoot what ever's on the M8 at the time, but when I think about it, my default seems to be the 28 Cron.thank you, Lloyd! it was either that or one of the pony tail
i'm in a bit of a quandary as the 75 Lux is turning out to be my favourite on the M8 (followed closely by the Nocti).... i knew it was a step above my other lenses, but on the M8 it's shockingly so. trying to figure what my walk-about lens will be -- 28 Cron or 35 Lux ASPH (even though i stupidly keep looking for a user Aspherical because i prefer its older draw). when i read Sean Reid's review on the 24 Lux, i had to shut my computer :ROTFL:
This shot was one of the reasons why I want to have a 75 Lux :thumbs:Yeah, and color too...
35/1.4 ASPH on M8...apologies if you have seen these:
Stuart - the R80/1.4 has the same (similar) look. Same design and same year as the M75, and the characteristics from 1.4 - 5.6 are about the same for both lenses from what I have seen. It is really nice because you have such a range of "looks" in the way the lens renders in that range and even from 1.4 - 2.0. There is a sweet spot for portraits at 3.4 on the R80 (depending on your distance from the subject) where you can get nose, eyes, and ears in focus but still have wonderful isolation and creamy backgrounds - just like you were saying about the M75. Did you ever use it when you had the DMR?As far as I am concerned there is only one other lens (the Zeiss 110mm f/2 Planar for 6x6) that can give you that same perfect combination of subject isolation and creamy background -- a Goldilocks lens -- everything is just right.