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Heh!Maggie,what I think it must be like is buying a mercedes and finding that it breaks down like any other car.
Aww. Bummer. I was so in the mood for some Buddhist ruminations.But this isn't the place for Buddhist ruminations.
Carry on.
The love for Leica.Honestly, what is it about the M8 that turns otherwise reasonable people into hyperbole machines?
Well, it seems rather unlikely Robert Capa was using M cameras, seeing that they were introduced ten years after Omaha Beach What he did use were Leica screwmounts, which was the norm those days, they were used by concentration camp guards, "Propaganda Officers" on both sides, as "embedded journalists" like the gentleman we are discussing were called back then, and so forth. But not for quality or reliability, but because they were light and small, real advantages in combat situations. Just compare them to the regular press cameras of the day. There is too much romanticizing going on.I actually don't think that the M8 is any less capable in a combat situation than its Leica predessors. With the M3 you got 36 exposures as fast as you could crank the film advance. Assuming two bodies that's 72 exposures. Focus and exposure were only as good as you could make them. Film got lost going back to the agency or your publication. Here is a link to Robert Capa's famous images from D-day in Normandy:
Capa from Omaha Beach
You should note that most images are out of focus. Not perfectly exposed. Capa or Life lost almost all of the film he took on Omaha beach.
What's changed is our expectations of what's possible under these harsh conditions. The M8 reviewer reflects these expectations, based on what's possible with the D3, for example. Leica can't compete for the most demanding PJs business with a 1954 design. That's still fine with me, because the M8 works very well in the situations where I use it.
Totally OT, but Capa took a Rollei and two Contaxes with him on the landing craft, and only the two Contaxes into the water. (Source for that is his autobiography.) As far as i can figure out, he last used LTMs in the first part of the Spanish Civil War, and took his picture of the just-shot rifleman with one of them. He always tried to use the "newest" and the "best" and during the 1940's that was the Contax.Well, it seems rather unlikely Robert Capa was using M cameras, seeing that they were introduced ten years after Omaha Beach What he did use were Leica screwmounts, which was the norm those days, they were used by concentration camp guards, "Propaganda Officers" on both sides, as "embedded journalists" like the gentleman we are discussing were called back then, and so forth. But not for quality or reliability, but because they were light and small, real advantages in combat situations. Just compare them to the regular press cameras of the day. There is too much romanticizing going on.