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which one?

HansAlbert

New member
For me the pièce de résistance is no.8.
It's the pic with the most strained pose of the dancer which goes well with the vehemence of the overthrown grand piano and the run-down condition of the rooms. I like, too, that to this derelict scenery some associations answer: the ballon with a bomb, the cable with an igniter cord, the crumbling rendering with a huge map, where the dancer is looking for the country she wishes a "ready for demolition" or an explosive moment.
In this way the photo exhibits for me the highest degree of craziness united with careful composition, a mixture with a richness of interpretations and a signature feature of Irakly's work.
 

sizifo

New member
If you are going to pick on a democratic basis, I don't think this has helped much. Except, definitely not no. 6.
 
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