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More? More resolution. More dynamic range. More tonal gradation. I'm relentlessly dogging Guy to get a MF digital system ... he needs one. He needs to step up his gear game to match his creative game. If he can squeeze all this quality from a crop frame sensor DSLR, just image what he'll do with a "big boys" camera ... LOL.Perfect. What more could you want?
Perfect. What more could you want?
I couldn't agree with you more. Florida Lotto is up to 38 million. If I win I'll send you one filled with Benjamins (unless you'd prefer Euros). You can give the bag to your wifeThe bag be loaded with cash
I couldn't agree with you more. Florida Lotto is up to 38 million. If I win I'll send you one filled with Benjamins (unless you'd prefer Euros). You can give the bag to your wife
Well it started in sRGB (double checked my original) but if I check the posted image it says no color space embedded. Not sure how that happened...David:
I think your first shot is not in the sRGB colorspace.
It depends on what you are shooting and how it will be used. In business - you spend more then you make and you are out of business. Yes I'd rather shoot tabletop and some studio stuff with an MF back and there are jobs where it would be an absolute requirement but I am careful to distinguish between what gear I'd like to own and use and what will meet the clients requirements and I can make a profit on.DMR enough? M8 enough? Canon 1Ds MK whatever enough?
Not in my world.
Case in point, I was supervising a Unilever food shoot in NYC using a Phase One P45+ on a Sinar with Digital glass ... and with factoring in all the publication crop factors the tech guy running the post work warned us that we were close to running out of resolution to maintain the food detail the stylist had spent hours on, and the photographer had spent even more hours lighting. CMYK conversion for publication is all the more reason to have more going in, not less.
It's NEVER enough. More is always welcome. Product, fashion, food, etc.: the Devil is in in the details : -)