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Oh! Thank You! You couldn't say anything nicer - I'm much more concerned with my pictures than my writing!Jono:
Excellent review and I particularly enjoyed the image gallery. To be honest, I looked at the pictures first, then read the text You have a great eye and the M suits your style.
Well, I apologise - not a great remark - I was referring to the idea of starting from scratch with each new design - but I shouldn't have personalised it.I do take exception to the comment about the Japanese throwing out the baby with the bath water, but that is because I know those folks and worked in that industry.
Hense the smiley. Did not take it personally. Now when MR goes on about "the suits" designing cameras in Japan... :angry: I did not wear a suit--I had a factory uniform. Kind of makes you look like a character from the Thunderbirds, but allows you to walk better. AND it was polyester, which is so easy to air out.Well, I apologise - not a great remark - I was referring to the idea of starting from scratch with each new design - but I shouldn't have personalised it.
all the best
Thank you for the informative write-up and photos. One question, if you have a moment: have you seen the new M camera put halos around streetlights in night-time shots? This is a problem I have seen with numerous CMOS-sensored cameras, even when an M lens is attached (e.g. NEX), but a problem I've never had with the M9. The night-time shot with the workers looks promising but perhaps inconclusive.
I haven't noticed any halos - but I'm so rarely in lit streets at night (I guess the nearest streetlight to us is about 6 miles away!Thank you for the informative write-up and photos. One question, if you have a moment: have you seen the new M camera put halos around streetlights in night-time shots? This is a problem I have seen with numerous CMOS-sensored cameras, even when an M lens is attached (e.g. NEX), but a problem I've never had with the M9. The night-time shot with the workers looks promising but perhaps inconclusive.
Halos are often linked to how the raw editor rolls off the highlights, maps tones and applies sharpening / noise reduction. Generally, I prefer Capture One, but when when it comes to the roll-off just before a clipped highlight, C1 is abrupt and induces hard edges that look digital. Generally, I do not like Lightroom, but in this particular area, its roll offs can be smoother, more complete without a harsh / abrupt clipping. Until the raw editors have the Leica SDK and color profiles implemented in LR, C1, etc., we probably won't be able to gauge these finer nuances.I haven't noticed any halos - but I'm so rarely in lit streets at night (I guess the nearest streetlight to us is about 6 miles away!
I'll have a look through if I get a moment and get back to you.
all the best
Ahhh - these were all processed with Aperture (we each have our own poison )Halos are often linked to how the raw editor rolls off the highlights, maps tones and applies sharpening / noise reduction. Generally, I prefer Capture One, but when when it comes to the roll-off just before a clipped highlight, C1 is abrupt and induces hard edges that look digital. Generally, I do not like Lightroom, but in this particular area, its roll offs can be smoother, more complete without a harsh / abrupt clipping. Until the raw editors have the Leica SDK and color profiles implemented in LR, C1, etc., we probably won't be able to gauge these finer nuances.