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Sean Reid's M9/MM/M240 Comparison

Guy Mancuso

Administrator, Instructor
Guy - Bob
semantic arguments about CCD/CMOS are just one thing. Lovely cameras with delicious silky shutters, lovely lenses and a rangefinder are just the other.
There really is no escape :):facesmack::chug:
ENABLER. :facesmack::poke::eek:


Heck never seen this one yet. Its called face smack :facesmack:
 

algrove

Well-known member
After spending the entire weekend shooting S, I have become even more confused about my gear future.

Keep M9P and MM
Keep MM and get M and drop M9 after M works out especially with R lenses.
Keep 5D3 for long AF shooting
Keep P45+ or get S and sell P45+ V mount and 5D3 kit, but love the 70-200 even with the 1.4x
Like the S AF, like the 5D3 AF, like my P45+ V mount images as they come with such nice warmth or are they familiar-yes that old Kodachrome discussion.
S very expensive kit especially for landscape. AF not needed for landscape. New 24 would be great. Base ISO 100 double my P45+ at ISO 50. But as a good friend said, with PS stitching capabilities today why buy new wider lenses, just stitch more.

For now-keep M9P, MM and P45+ V mount and all the heavy lenses I carry around. Get M for some wide and some long and higher than 1250 ISO use up to 2500 to 3200. If 6400 works out in the future-all the better. Try to make M my street discreet camera and make use of my fast Leica glass.

Skip the RX-1 as I have too much crap already.

I was trying in my mind to get one system for everything except discreet street. It just might be a fool's wish. Anyway how many MP do I really need for 24x36 prints. 18MP is probably more than enough, but when I look at those 39MP images I can see they are better. What dynamic range!

CCD I like and know, but being new to CMOS with the 5D3 I am happy with it-just don't know it yet.
 
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Guy Mancuso

Administrator, Instructor
After spending the entire weekend shooting S, I have become even more confused about my gear future.

Keep M9P and MM
Keep MM and get M and drop M9 after M works out especially with R lenses.
Keep 5D3 for long AF shooting
Keep P45+ or get S and sell P45+ V mount and 5D3 kit, but love the 70-200 even with the 1.4x
Like the S AF, like the 5D3 AF, like my P45+ V mount images as they come with such nice warmth or are they familiar-yes that old Kodachrome discussion.
S very expensive kit especially for landscape. AF not needed for landscape. New 24 would be great. Base ISO 100 double my P45+ at ISO 50. But as a good friend said, with PS stitching capabilities today why buy new wider lenses, just stitch more.

For now-keep M9P, MM and P45+ V mount and all the heavy lenses I carry around. Get M for some wide and some long and higher than 1250 ISO use up to 2500 to 3200. If 6400 works out in the future-all the better. Try to make M my street discreet camera and make use of my fast Leica glass.

Skip the RX-1 as I have too much crap already.

I was trying in my mind to get one system for everything except discreet street. It just might be a fool's wish. Anyway how many MP do I really need for 24x36 prints. 18MP is probably more than enough, but when I look at those 39MP images I can see they are better. What dynamic range!

CCD I like and know, but being new to CMOS with the 5D3 I am happy with it-just don't know it yet.
I run into this on workshops with folks. Just to much stuff. Really need to try and simplify your life with gear. Now your not a Pro so you have no restrictions here as far as being forced into gear. You shoot what you like, I know I say this when I retire I'm getting a M9 and 3 or 4 lenses. Street , travel and enjoyment. Tech cam landscape work 3 or 4 lenses and pretty much call it a day. But you really need to sit down and figure this out or gear thoughts will just cloud you art.
 

Double Negative

Not Available
^ Totally agree with Guy.

Too much stuff paralyzes. If you still can't decide, try this. Grab a random combination of some gear; mix it up. Then go out shooting with it, playing into it's strengths (or weaknesses). Exploit it. If nothing else, it helps to get out of a rut and keeps things interesting. Bonus is it exercises the gear - and you.
 

Guy Mancuso

Administrator, Instructor
Major big thing for hobbyists is what gear you just love to shoot and gear that does nothing emotionally for you. Get rid of that negative feeling gear. This is about fun and your hobby. Biggest lesson I can give anyone is never force it but exploit the fun and enjoyment of it. The rest is crap you don't need. You get the gear thoughts out of your head I guarantee you that you will do better art.
 

jstaben

Member
algrove simplify what you can. I've got excessive gear but I refused to buy a common focal length with my Leica and Nikon D800E kit. No my nikon only has a 21mm zeiss and the 200f/2. All others are Leica!
 

rayyan

Well-known member
Interesting discussion.

But is the image quality better ( if that matters ) or is the quality of the image
better ( if that matters ) from let's say the M8 or M3?

I shall just wait and see for myself.
 

ptomsu

Workshop Member
I run into this on workshops with folks. Just to much stuff. Really need to try and simplify your life with gear. Now your not a Pro so you have no restrictions here as far as being forced into gear. You shoot what you like, I know I say this when I retire I'm getting a M9 and 3 or 4 lenses. Street , travel and enjoyment. Tech cam landscape work 3 or 4 lenses and pretty much call it a day. But you really need to sit down and figure this out or gear thoughts will just cloud you art.
Guy,

Fully understand and back these thoughts. Although I have a question I cannot overcome without having a (FF) DSLR - what do you choose would you choose for wildlife?

Peter
 

fotografz

Well-known member
After spending the entire weekend shooting S, I have become even more confused about my gear future.

Keep M9P and MM
Keep MM and get M and drop M9 after M works out especially with R lenses.
Keep 5D3 for long AF shooting
Keep P45+ or get S and sell P45+ V mount and 5D3 kit, but love the 70-200 even with the 1.4x
Like the S AF, like the 5D3 AF, like my P45+ V mount images as they come with such nice warmth or are they familiar-yes that old Kodachrome discussion.
S very expensive kit especially for landscape. AF not needed for landscape. New 24 would be great. Base ISO 100 double my P45+ at ISO 50. But as a good friend said, with PS stitching capabilities today why buy new wider lenses, just stitch more.

For now-keep M9P, MM and P45+ V mount and all the heavy lenses I carry around. Get M for some wide and some long and higher than 1250 ISO use up to 2500 to 3200. If 6400 works out in the future-all the better. Try to make M my street discreet camera and make use of my fast Leica glass.

Skip the RX-1 as I have too much crap already.

I was trying in my mind to get one system for everything except discreet street. It just might be a fool's wish. Anyway how many MP do I really need for 24x36 prints. 18MP is probably more than enough, but when I look at those 39MP images I can see they are better. What dynamic range!

CCD I like and know, but being new to CMOS with the 5D3 I am happy with it-just don't know it yet.
You are not alone on this subject my friend. As I head toward more retirement, I'm faced with what to keep, what to jettison, and what to replace.

This is the materialistic mental gymnastics that can drive anyone crazy, and sap your ability to focus on getting creatively good at something.

As my old advertising mentor used to quip: "The problem with making a decision is that it eliminates all the other possibilities." ... a lesson I applied well in my ad career, but seemed to have forgotten as of late with photography. ;)

If I muse to myself about certain photographic subjects, usually some names immediately come to mind. If I think "birds" ... Bam! ... Doug (and his Long Leica optics on a DMR). Weddings: Jeff Ascough (was Leica Rangefinder, now Canon); Landscape: Derek Jecxz (Hassey H) ... and so on. Each of our lists will differ, but the common element is usually a focus on something, to the exclusion to others ... and the right gear to do it.

It is when we generalize either by choice, or diversify for Pro reasons (broader income base), that the gear closet can become a monster ... where "horses for courses" becomes a barn full of stallions, plow horses, thoroughbreds, and an occasional mule.

Add to this melange, decisions with-in each category of "Horses" ... not just a Rangefinder, but a CCD one or a CMOS one? Or a M Mono, or for some a film M ... then all the lenses as they may apply to the camera choice. :facesmack:

I'm gradually phasing out weddings ... so I don't need a bag full of 35mm DSLR stuff anymore. I think I'll just keep one camera and 3 zooms and sell all the primes and second camera.

My key Rangefinder is the MM for street, but will need a color one for travel and what weddings I may still do. M9P or M240? Jury is still out.

The biggy is not being able to support two MFD systems anymore as I also slow down commercial work (which the economy slowed down anyway). I'm so conflicted on this that if I do not make a decision it will be the rubber room for me. The issue is further made complex when the tentacles of a system reach so deep with hordes of accessories and do-dads, that the very act of selling it is overwhelming. :cry:

S2 or H4D/60? .... H4D/60 or S2? ... ARRGH!

-Marc
 

sven

New member
Hi There Sven
Indeed - how could it be otherwise when discussion a subjective judgement on a theoretical comparison :).
But actually, my position is that I don't know the answer to the question - and more to the point, nobody else does either (see below)!

I'm challenging what is an almost universally held belief on the internet (i.e. that CCD is inherently different from CMOS), because some technical people who I consider to be very knowledgeable and who are involved in sensor design, say that it is not the case. My argument here is not based on any personal technical knowledge, but on an understanding of logic and scientific methodology - which tells me that saying .Period. don't make it so!


see above Saying. Period. doesn't make it so - it just means you believe it to be so.



Okay - we agree that CCD works differently from CMOS and produces a different output.

The point of discussion is not this, but whether it is the processing of this data which produces the distinction between the current crop of CCD sensors from the current crop of CMOS sensors (which we can also agree have a different look) - or whether there is an inherent and visible difference.

The person I was talking to at Leica is quite certain that it's the way that the data from the sensor is treated in the production of the RAW file which characterises the image, and NOT the distinction between sensor technologies.

Of course, until someone changes their approach to using the data from a CMOS sensor consciously with the same values which are applied to data from a CCD sensor then it's really not possible to come to any categorical decision about this - because there are no two such sensors to compare the output from.

On a slight side track, it's interesting to look at the output from the D3X and the Sony A900. It's radically different, with the Sony showing characteristics which make it (at low ISO) look rather more like the current crop of CCD sensors. With a poor high ISO response - the D3x is rather the opposite. This is only interesting because they are the same sensor.

Let's put it this way:

a) some people say that there isn't necessarily a definitive and observable difference between a CMOS and CCD sensor (whatever the current crop of sensors might imply). (FWIW I've been told this by technical people at Leica amongst others)

b) some people say there is a definitive difference between the look of a CMOS and a CCD sensor - whatever the processing between sensor and RAW file (I've been told this by you and Guy (and most of the rest of the internet).

Describing the way the sensors work really doesn't have any bearing on these positions. It all hinges around the intent of the processing of the information and whether this is more important than the data from the sensor.

What is clear is that Canon and Nikon process the data to produce the best possible high ISO response - because that's the visible and definable IQ factor which sells cameras. (and this is what the internet defines as the CMOS look)

What is also clear is that Phase and Hasselblad process the information to provide the best colour response - because that's what their clients want, and because it's an identifiable advantage over what Canon and Nikon do. (and this is what the internet defines as the CCD look)

What is also clear is that Leica have tried to process the information from the M240 to produce a sensible compromise - whether they have achieved this or not will become more obvious when the final firmware is released - but it's worth bearing in mind that both Sean Reid and Ming Thein have been surprised at how the files from the new M look like something in between the M9 and D800 files.

all the best
Jono,

My explanation is not theoretical but based on practical engineering issues. Talk to any specialist in Dalsa. CMOS is lot cheaper so why CCD at all by all MFDB manufacturers?

Anyway we have differing views, respect you as a photographer. So I will not argue anymore.

Sven
 

jonoslack

Active member
Jono,

My explanation is not theoretical but based on practical engineering issues. Talk to any specialist in Dalsa. CMOS is lot cheaper so why CCD at all by all MFDB manufacturers?

Anyway we have differing views, respect you as a photographer. So I will not argue anymore.

Sven
Hi Sven
Well - I'm determined to have the last word . . . . .

Peace!

Quite agree, there is a point where it's not useful going on with a discussion, and agreeing to differ is very elegant

all the best
 

scott kirkpatrick

Well-known member
Re: CCD/CMOS transition in MFDBs

Guy, you mentioned that the Phase back series gives a clear comparison between where Kodak got with CCD (P45, P45+), and where Dalsa got (P30). But that was a while ago. The current IQxxx through 180 series are Dalsa CMOS, with LiveView and all that, correct? So how do they compare?

I've got a P45+ V-mount and can see the improvement over the M9 in subtle ways (midtone discrimination, mostly). With that as a reference, will be interested in seeing how the M240 holds up.

scott
 

scott kirkpatrick

Well-known member
Re: everyone but Sean Reid's M9/MM/M240 Comparison

Jono, you seem to have gone through multiple cameras and multiple firmware levels, not entirely in sequence. Was the beta firmware not upgradeable for some technical reason? Would your October sidekick with February firmware be a whole different breed of cat, or is there some reason to stay with the old firmware on it?

scott
 

Guy Mancuso

Administrator, Instructor
Re: CCD/CMOS transition in MFDBs

Guy, you mentioned that the Phase back series gives a clear comparison between where Kodak got with CCD (P45, P45+), and where Dalsa got (P30). But that was a while ago. The current IQxxx through 180 series are Dalsa CMOS, with LiveView and all that, correct? So how do they compare?

I've got a P45+ V-mount and can see the improvement over the M9 in subtle ways (midtone discrimination, mostly). With that as a reference, will be interested in seeing how the M240 holds up.

scott
That would be Dalsa P40 not P30 which was Kodak. The same sensor in the P40 is identical to the IQ 140 and 160 although larger FF size.

So for clarity

P20+
P21+
P25+
All Kodak 9 micron sensors. Not made anymore

____________________________________________

P30+ Kodak sensor 7.9 Micron high ISO to 1600
P45+ Kodak sensor 7.9 long exposure king

____________________________________________

P40+
IQ 140
P65+
IQ 160
All share the same Dalsa sensor 6 micron

__________________________________

IQ 180 Dalsa 5.4 Micron sensor
 

Guy Mancuso

Administrator, Instructor
The P45+ and M9 along with P30+ are kind of like sensor brothers and sisters. They are very similar in look. I did the M9 with the P30+ which should be around . They look really close in terms of color and tone. So 18 mpx versus 31mpx. Resolution obviously went to the P30+ but the M9 with its glass held up very well.
 

jonoslack

Active member
Re: everyone but Sean Reid's M9/MM/M240 Comparison

Jono, you seem to have gone through multiple cameras and multiple firmware levels, not entirely in sequence. Was the beta firmware not upgradeable for some technical reason? Would your October sidekick with February firmware be a whole different breed of cat, or is there some reason to stay with the old firmware on it?

scott
Hi Scott
At one point there were three cameras - as you say, it wasn't necessarily upgradeable without recalibration/adjustment . I'm not going into all the details (not sure that I understand them all), and there was certainly no drama, but there has been quite a lot of traffic between Germany and the UK!

To be fair, the first prototype was really good (but with some patterns in low light areas), later ones improved on this.

I'm hoping to have a go with the final firmware
all the best
 

ramosa

Member
I run into this on workshops with folks. Just to much stuff. Really need to try and simplify your life with gear. Now your not a Pro so you have no restrictions here as far as being forced into gear. You shoot what you like, I know I say this when I retire I'm getting a M9 and 3 or 4 lenses. Street , travel and enjoyment. Tech cam landscape work 3 or 4 lenses and pretty much call it a day. But you really need to sit down and figure this out or gear thoughts will just cloud you art.
Guy: This comment was not intended for me, of course, but it can serve as a fine guide for lots of us, including my pondering of which FF digital rangefinder to get after having had M8 for five years. Keep it simple and get what you need--not what you want. At least for me, that's a good approach. Thank you.
 
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