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ARCHITECTURE & WIDE ANGLE LENSES

helenhill

Senior Member
Stuart / I'm diggin that Zeiss 25 and the Crowd You hang with....
Scott / the Coast of Maine ...GREAT Shot
Jim/ Cool Composition & Tones

Cheers to All-h
 

jlm

Workshop Member
scanned from a 4x5 tri-x neg on the trusty epson 700. 90mm lens on a 4x5 is about a 25mm equivalent for 35mm film as i recall

i may play around re-scanning wet mount to see how it works
 

Lloyd

Active member
scanned from a 4x5 tri-x neg on the trusty epson 700. 90mm lens on a 4x5 is about a 25mm equivalent for 35mm film as i recall

i may play around re-scanning wet mount to see how it works
Well, it's a beauty.

(BTW, still haven't received that replacement adapter.)
 
R

Rogwp

Guest
A couple from a recent trip to Germany, using my favorite lens for architecture, a CV12. I particularly like the way it does not distort straight lines.:) Roger
 

DavidE

Active member
Exterior and interior views the Wynn Encore in Las Vegas. Shot with the 18mm super-elmar.









[My server tends to be slow. You may have to hit the refresh button if the images don't load the first time.]
 
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Lloyd

Active member
A couple from a recent trip to Germany, using my favorite lens for architecture, a CV12. I particularly like the way it does not distort straight lines.:) Roger
Very nice. That lens is magic. Very interesting subject matter as well.
 

gero

New member
Woody, very nice, atemporal at least in the last century.

21/2.8ZM zeis
 
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gero

New member
here is what we do to rectangular, simetrical, straight, & large things that we make to use.
this was ment in a creative (not destructive) way, sorry if it sounded bad.

and the "we" was ment in an inclusive (not exclusive) way; we photographers, artisans, humans, animals ...
 
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scott kirkpatrick

Well-known member
I know the canonical restaurant picture involves a Noctilux and very shallow focus, but sometimes a wide angle shot is just more appropriate:



24 Elmarit-asph at 4.0, I think.

scott
 
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