In a quandary as to whether to buy a backup DMR or go with the Sony A900. Am looking for opinions from any and all who have shot with the DMR and now shoot with the Sony. I need bigger files. I also need the SSS (image stabilization) that the Sony provides as a coded Leitax adapter will enable using my big APO glass on the Sony WITH image stabilization.
The problem is that once I have the lenses converted I won't be able to use them on the DMR unless I go through the hassle of pulling the adapters off.
I know Marc Williams has the Sony and formerly shot with the DMR. Would love to hear you impressions, Marc, especially with respect to how you think the Sony sensor might render the hummingbird feathers on my preferred subject. I posted a few images over on the DMR image thread here: http://forum.getdpi.com/forum/showth...?t=766&page=13
The big question is: does the Sony sacrifice tonal range when compared to the 16 bit files of the DMR?
Any comments from those who have shot with both cameras would be much appreciated.