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H4D60 and HCD 4/28

V

vsadov

Guest
First post, and it is a question:

I am thinking of replacing my H3DII-39 with H4D-60, taking advantage of the Hasselblad's upgrade program.

Part of the fun of using the Hassy is the ability to use the wide HCD 4/28 lens. I am very happy with the results. Phocus does pretty good job correcting whatever problems the lens has in the corners.

One thing makes me wonder though. Quoting the "HC Lenses" guide:

"The HCD 4/28 mm lens is designed solely for digital use. This means that the lens designed for a format of 37x49 mm and does not cover the film format (41.5x56mm). The function is therefore disabled when using a film magazine."

Now, the 60MP Dalsa sensor is almost the FF film size. What does it mean for HCD 4/28 /w H4D-60 combination? Bad vignetting? Could it be corrected with DAC in Phocus?
 

carstenw

Active member
I am surprised that no one has answered this yet. David Grover, a Hasselblad employee, once stated on Luminous Landscape:

"We have chosen a target sensor format of 36 * 49mm for the optimization of the lens performance for the HCD lens line in order to achieve a compact design with fast focusing as well as high performance. Top performance is reached even with sensors larger than 36 * 49mm. The only restriction is that a marginal crop is introduced with the HCD28 and the HCD35-90 in 35 mm setting. On a full frame 60 Mpix camera, the crop will result in an effective pixel count of 55 Mpix and a focal length factor of about 1.1. This means that the HCD28 will be equal to a 31 mm lens and the HCD35-90 will be equal to a 38-90 mm."

It seems like a minor thing, nothing to stop you from buying the H4D-60.
 
V

vsadov

Guest
Carsten,

Thank you very much for sharing this information. If I understand you and David correctly, HCD28 will be supported, with some cropping applied within Phocus to yield about 55MP of effective image size. This is indeed reassuring. Nothing to detract me from the upgrade :)

I am still curious about the details, in particular about whether the aspect ratio of the image will be changed as a result of cropping. The following is just an idle speculation on my part:

Naively, since the cropped pixels sit near the two short edges of the sensor, dropping them would result in the aspect ratio somewhat less than 4:3, perhaps closer to 6:5. The number 55 suggests something like this might be done. After all, if I were to apply the cropping factor 1.1 uniformly to the whole image, preserving the 4:3 aspect ratio, I would only see 60/(1.1)^2 = 50 megapixels, not 55 megapixels as alluded by David Grover.

Again, this is just a speculation motivated by geometry. Maybe someone with the real knowledge of the matter would care to chime in ...

:salute:
 

carstenw

Active member
I don't know all the details, but I believe that the 28mm (and 35-90mm) focal length is actually an "effective" crop focal length, not the focal length on 645 full frame. That means that the focal length on 645 FF would actually be less, around 24mm or something, if the lens had an image circle that large. I don't know whether the 31mm focal length mentioned by David is FF or crop, or what math was used to arrive at the results.

Anyway, if most lenses give 60MP and these two give 55MP or 50MP, I still think the upgrade would be attractive, unless you use one or both of these lenses predominantly, in which case the 50 or 50MS might be more interesting.

I am guessing that either David Grover or Paul Claesson will drop in with more accurate details, and perhaps some math details and the actual usable image size in pixels.
 

fotografz

Well-known member
The 28 crop on the 60 camera is minimal.

I've been told the HDC lenses are an effective 55 meg give or take a pixel. That would be a 1.091X crop factor with the digital lenses ... which I'm sure David rounded up to 1.1X.

-Marc
 

gogopix

Subscriber
I am astounded; are you telling me that the vaunted 28mm lens of Hasselblad, that can't be used on older cameras since it is so 'special' doesn't even have the image circle to cover a full frame on its own brands' top camera and sensor?

pre apologies if I am mis-reading something; if not, this is an ENORMOUS crack in the pottery.

Sorry, you can't get the gold if you can't fill the frame.

Victor

PS: we have tolerated a lot of ranting about Leica missteps: this is one they would NOT have made.
 
Victor,

This has been knowledge for a long time.

The HCD28 was conceived a long time before the 60MP products existed.

Not every single one of our customers will be using a 60MP camera. Therefore the 28 serves them very well. We should not exclude the 22, 31, 39, 40 and 50 customers who are indeed in the majority.

The reason for the design of the 28 in this way, was to reduce size, weight and ultimately cost to the customer.

The net result in using the 28 on the H4D60 is an extremely small crop.

David
 

fotografz

Well-known member
I am astounded; are you telling me that the vaunted 28mm lens of Hasselblad, that can't be used on older cameras since it is so 'special' doesn't even have the image circle to cover a full frame on its own brands' top camera and sensor?

pre apologies if I am mis-reading something; if not, this is an ENORMOUS crack in the pottery.

Sorry, you can't get the gold if you can't fill the frame.

Victor

PS: : this is one they would NOT have made.
What "... that can't be used on older cameras ..." are you referring to Victor?

Personally, I wouldn't bring up "Leica" and "Missteps" in the same sentence ... some Leica R shooters with a king's ransom in glass may consider the entire S2 system is a "Misstep". Not many of the R lenses will work on the S2 will they?
 
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gogopix

Subscriber
What "... that can't be used on older cameras ..." are you referring to Victor?

Personally, I wouldn't bring up "Leica" and "Missteps" in the same sentence ... some Leica R shooters with a king's ransom in glass may consider the entire S2 system is a "Misstep". Not many of the R lenses will work on the S2 will they?
Ahhh....THERE"s the nerve!

Anyway, this is starting to sound like schoolyard talk; yes, I'm as guilty as all :D (At 67, one will do ANYTHING to feel young :ROTFL:)

The point on lenses is simple; if you build a lens for 645, it would be nice to have it WORK on 645.
I believe the 28 will not work on H1 and H2 (not counting V series here). If wrong, so be it; I made a mistake and it was corrected.

However, after listening to rants for YEARS by people about FULL FRAME (remember what happened when M8 came out? all the cry about FF "I can't get my wides to work....")
"I will wait for the M9 FF is so important"
So, M9 is FF.

It is amazing that, if people defend a Leica action for a non perfect system they get crap.
If they criticize another system, they get crap.

Let's get some balance back in here.

Victor
 

gogopix

Subscriber
OK, so, as with the S2, Hasselblad has carved a a NEW format (48x48 square?)

again, H comes out with basically a 645, puts a 48mm sensor in it and claims it is "full frame" (I remmeber the ads)
BUT, it is NOT a new format ????????

Leica comes out with the S2; they believe THAT is the sweet spot; we'll see:D

David,
Hasselblad is a great comapny with a great product, but there is a "we're perfect" attitude that might be helpful to tone down.

I will probably get a H4 or H5 system when the Contax gest long in the tooth. But by then, I hope there is a 28mm II :salute:

Victor

PS I don't any longer use h bodies, but I have about $50,000 worth of V glass (No, the TPP not yet -almost everything else though from 30mm to 500/8. Oh, also passed on the 1600mm f4 LOL)
 

fotografz

Well-known member
Ahhh....THERE"s the nerve!

Anyway, this is starting to sound like schoolyard talk; yes, I'm as guilty as all :D (At 67, one will do ANYTHING to feel young :ROTFL:)

The point on lenses is simple; if you build a lens for 645, it would be nice to have it WORK on 645.
I believe the 28 will not work on H1 and H2 (not counting V series here). If wrong, so be it; I made a mistake and it was corrected.

However, after listening to rants for YEARS by people about FULL FRAME (remember what happened when M8 came out? all the cry about FF "I can't get my wides to work....")
"I will wait for the M9 FF is so important"
So, M9 is FF.

It is amazing that, if people defend a Leica action for a non perfect system they get crap.
If they criticize another system, they get crap.

Let's get some balance back in here.

Victor
Yes, Balance ... perhaps starting with you maybe?

Asking about something in the form of a question may be better than crapping on it in hopes of being corrected if wrong. Honey rather than vinegar and all that.

I really don't know how much clearer it could be that the 28 was originally designed for 1.1X backs and for use on the H3D/H2F 22, 39 and 50 meg backs ... and now the H4D/50 and 40 ... as well as the 60 with a tiny crop factor. If one doesn't like that approach don't buy it. Simple.

Personally, I have a lot of opinions about other cameras ... but keep them to myself even if I DO have first hand knowledge of them in practice ... and either ask questions, or say nothing unless I'm seriously considering THAT system ... otherwise it just pisses off people.

None of this is absolute ... it's all preference.

-Marc
 

David Klepacki

New member
Victor,

Does the 28mm D lens from Phase One cover the full frame of their 60MP P65+? Was that lens conceived before the larger 54x40 sensor as well?

David
 

etrump

Well-known member
The phase 28mm D was designed for both digital and 645 film so it works fine on the P65+ without cropping but the corners are a little soft.

I doubt the 60MP at full frame was even conceived when the H28mm was designed. In fact, I understand you still get 28mm coverage just not the whole 60MP sensor coverage.
 

Guy Mancuso

Administrator, Instructor
The phase 28mm D was designed for both digital and 645 film so it works fine on the P65+ without cropping but the corners are a little soft.

I doubt the 60MP at full frame was even conceived when the H28mm was designed. In fact, I understand you still get 28mm coverage just not the whole 60MP sensor coverage.
Correct and the bottom line it really is a 30mm. Let's remember theses are the only 2 28mm's on the market outside of tech lenses. Not a easy lens to design so I give them both a lot of credit for what they can do outside there small issues. Rather have it than not and I use mine all the time. Probably would have never gone into MF to begin with not having them on the market.
 

David Klepacki

New member
The phase 28mm D was designed for both digital and 645 film so it works fine on the P65+ without cropping but the corners are a little soft.
Thanks, this is good to keep in mind. Some folks still use film in addition to their digital kit, so I think it is great to have such a lens ready for either situation.
 

ptomsu

Workshop Member
Think one should keep in mind that till a few years ago something like 40mm or 38mm was kind of the best wide you could get in MF.

The 28 on a H3D/39 or H3D2/50 covers approximately the image you could get with the specialized WA film camera from Hasselblad in square format.

All above that is even a big progress.

All of these discussions about actually "only" getting a 30 wit a H4D/60 are purely academic in my opinion.

I am using the HCD 28 with my H3D39 day in day out and I actually never have the feeling I am missing too much WA. And if I would miss it, I would go for a tech camera in front of my 39MP back.
 
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