Welcome Tom.
I think you were clear in your specifications as to what type of work interests you most.
I have (or have had) all of the Hasselblad backs including the 22 meg version, and same for the Leaf backs. I now own and use a Hasselblad CFV, H3D-II/31, and H3D-II/39.
IF you even think you will be doing work with a view camera or any technical camera using tilts and shifts ... I'd shy away from the crop frame 1/3X sensors with microlenses. They produce color casts which are not easy to correct in post. Plus, even the slight extra area is helpful when working with tech cameras. I use my H3D-II/31 for fast paced portrait, fashion and event work. The camera is fast, fast, fast.
Obviously, budget is a main consideration. However, I would step up your game and look at a P45 refurbished back, rather than a new unit. Pricing may surprize you. The sensor is the same size as the 22 meg version but captures 39 meg RAW files rather than 22. The choice of camera depends on your needs.
I think you were clear in your specifications as to what type of work interests you most.
I have (or have had) all of the Hasselblad backs including the 22 meg version, and same for the Leaf backs. I now own and use a Hasselblad CFV, H3D-II/31, and H3D-II/39.
IF you even think you will be doing work with a view camera or any technical camera using tilts and shifts ... I'd shy away from the crop frame 1/3X sensors with microlenses. They produce color casts which are not easy to correct in post. Plus, even the slight extra area is helpful when working with tech cameras. I use my H3D-II/31 for fast paced portrait, fashion and event work. The camera is fast, fast, fast.
Obviously, budget is a main consideration. However, I would step up your game and look at a P45 refurbished back, rather than a new unit. Pricing may surprize you. The sensor is the same size as the 22 meg version but captures 39 meg RAW files rather than 22. The choice of camera depends on your needs.