Landscapelover
Senior Subscriber Member
Thanks very much Ray for your kind words!Nice one Pramote!
And a good illustration to my post above about my current preferences
Ray
I've got your point. Look like our visionary are similar.
Pramote
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Thanks very much Ray for your kind words!Nice one Pramote!
And a good illustration to my post above about my current preferences
Ray
Hi Ray!Hi Tareq!
Glad you liked the composition.
This picture was from the start meant to be presented in B/W.
I did use a linear polarizer and a ND-filter to "squeeze" some dynamics out of the clouds.
So the color version looks a bit strange with color cast in a big part of the sky due to the polarizer.
The original scene was rather "tonally flat", and that was one of the things I liked about this scene.
There is tonality from roughly 255 all the way down to 0 in this picture.
But the majority of the area is in a rather tight and bright "tonality region".
This was a reaction to all the burning sunsets I had for about 4 weeks in August.
I become a bit burned out with this kind of views, so to say.
And I think I am still a bit over-sensitive to over-saturated pictures,
I now prefer autumn leaf in mist rather than in bright sunlight
Ray
Thanks!Hi Tareq
Very impressive series of images.
Query: what scanner do you use for your MF negatives, or are these scans of prints?
Cheers, S.
nice gradation on background and good light on subjectIn the studio I often use to many strobes. So, today I forced my self to work with one beauty dish and no reflectors or fill light, just for the fun of it.
Hasselblad H4d-50 | HC 2,2/100 | f5,6 | 1/125s | iso 50
actually it isSomehow I think that this isn't Dallas!
While the economics of this type of photography are probably not good, I love the image.Some more pictures from the azores this year. The last one was a 250$ shoot, the wave destroyed my sync port from my Distagon 50 CFi.
Hasselblad 503CW, 50mm Distagon CFi, P45+
Best regards from Switzerland