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GO green or go home. Rule 2245.4Or leave film wrappers on the ground....like the Velvia 120 wrapper I found inside a rock formation at Valley of Fire, NV, last week.
Hi GuyShot with a Leica M8 and a 12mm lens I believe. 2008
Thanks for link Phil; those are remarkable and inspiring.Hi
Here are some great shots from a living photographer - especially if you like B&W
Spectacular Photos By Photojournalist Sebastião Salgado | Bored Panda
The photos speak for themselves
The post work really matches the images, IMHO
Phil
GUY-- make it so I can "like" twice. :ROTFL:Phil, unfortunately, the older I get, the wider I get...
I know Lough pretty well, and he even does all of his own post work. So who does that leave?Ex-employees tend to spill the beans, particularly if they're angry ex-employees. Let's just say the offenders weren't Rotella or Wolfe.
As for ending this thread, it was only a suggestion as it seemed to be a pile-on over something that was of far less significance than building a fire under Delicate Arch.
Phil, unfortunately, the older I get, the wider I get...
Hi GuyLol
Its a Voightlander 12mm. Its one of those iconic places to shoot. Its a shame I did not have more Mpx in that shot. Have to say it was a very rare trip as it snowed the day we arrived for the workshop and most folks only had M8 been there twice since but never with snow. It's also a bad place to shoot as there usually too many people there.
This has been an interesting thread to follow. Some here have been fairly vitriolic towards William Carr while others have tried to cut him a bit of slack. I'm not a close friend but I've known William Carr for a number of years. I've always found him to be cordial and friendly, and not arrogant in one on one conversations.
As others here have noted, Carr operates in Las Vegas, a market not known for good taste or elegance. It is a market that includes well-known photographic frauds, whose activities range from strong arming the competition to hiring photographers under NDAs to carry out assignments and then passing the work as their own. Carr, in spite of his over-the-top promotional DVD, exhibits some integrity.
Carr understood the demographics of the market he was moving into when he opened his gallery in Las Vegas and he acted accordingly. I suspect there are few of us on this forum that would have the guts,desire/ego or portfolios to financially survive in the Las Vegas market. What we might define as fine art work likely would not be visible above the visual noise and clutter of Las Vegas. Carr has simply chosen to play in an arena where hard ball is the rule.
It's probably time for Guy to end this thread.