Guy, thanks for all your hard work in doing this. :thumbup: Sure it's fun .... but it's also work .... and sometimes thankless work at that.
I think this is an excellent demonstration that defines MF Digital ... making the initial step from 35mm Digital remains the biggest one :clap:... then all the others are incremental improvements. I also think the degree of those increments is dependant on what and how you are shooting.
I suspect that the prowess of a 60 meg capture will be revealed more obviously when shooting challenging subjects in the studio. For example, I know that many folks can't see a huge difference between my little 16 meg CFV back and my H3D-II/39 when I shoot some scenes around town or like the Dream Cruise car stuff I've posted in the past. However, same subjects shot by both cameras in the studio is an eye opener. :bugeyes: It's an even bigger eye popper when using a view camera with APO digitar optics.
Those that even remotely think that the high meg 35mm DSLR big dogs can run with this pack of Alpha Wolves needs to up the ante when making the comparisons. It's then that the 35mm digital pups reveal themselves as "sheep in wolves clothing." Trust me on this ... I've tried it with my Canon 1DsMKIII and now a Sony 12 bit, 25 megger with Zeiss optics :thumbdown: ... when I get my mits on a 14 bit Nikon D3X I'll try that also ... but I already know the answer. Baaa, Baaa, Baaalony.
My quest is still for a MF multishot ... which to date I've not seen beat by anything available. :thumbs: Obviously, not for applications such as your landscape examples Guy, strictly for controlled studio environments. Horses for courses.