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Pentax 645Z vs Alpa technical camera

Just did a brief comparison. RAW files available here: https://www.dropbox.com/sh/p1rbfp87ipvup0d/AAA3gG-XgOJd_sNBsOyDRmS7a?dl=0

Body645ZAlpa 12 STC
Wide angle28-45mm f4.540mm HR
Standard prime75mm f2.875mm f5.6
Total weight3235g2525g
SizeHugeCompact
Tilt & ShiftNoYes
L-bracketYesYes
Live ViewYesYes
Focus PeakingYesNo
TimelapseYesNo
Weather SealedYesNo
Dual memory slotYesNo
Capture OneNot supportedSupported
RAW bits14-bit16-bit
Touch ScreenNoYes
Tilt ScreenYesNo
Image StabilizationYesNo
AutofocusYesNo
VideoYesNo
Body made inPhilippinesSwitzerland
Lens made inVietnamGermany
PriceKidneyKidney Kidney Kidney Kidney

DSC_6123_stacked.jpg

DSC_6108_stacked.jpg

DSC_6113.jpg
 

JeRuFo

Active member
That is quite a clear difference in resolution. And you can clearly see where the money has gone.
You do need to have a need for it though. I find the crispness of shots out of a tech cam can pose problems with certain subjects when you print smaller sizes. Prints tend to become really in your face.

With respect to color I would have to give the edge to the Pentax. Although higher resolution brings more colors, there are a lot of strange shadow colors under the mixed lighting. But that might be down to post processing.

Not quite sure what advantage a manufacturer in Europe would give me over one in Asia though.
 

vjbelle

Well-known member
I don't completely get the point of this. First of all you can knock off a couple of kidneys, maybe more, if you put the Rody copal 0 on an Actus. Also the Pentax is truly handicapped with the zoom lens. The Rody 40mm is widely known as one of the best wides available. If a really nice prime lens was coupled to the Pentax the differences would/could be less apparent. So this, to me, is really a story about lenses.

Victor
 

GrahamWelland

Subscriber & Workshop Member
I must say that really it's like bringing a knife to a gunfight when you compare the Pentax lens to the Rodie 40HR and even more so if it had been the 32HR.

thing is though that it's also about what is the best tool for the job. Personally I think that shooting with a technical camera is the most enjoyable way of capturing images but it's not the most universal tool compared to the Pentax.

It's all about horses for courses as the saying goes.

Personally, I'm always keen to see comparisons when raw files are shared. Normally the tiny jpg files people post show nothing. In this case it's pretty clear. Regarding the colour differences, well I'm sure that you could set up a custom ICC in Capture One to get the look that you are after.
 

jagsiva

Active member
Not sure why you'd compare these two outside of the simple reason that you had both kits lying around.

The 28/45 is supposed to be a great lens but it not fair to compare it to a 40HR. It is also not supposed to be at its best at the long end.
 

Geoff

Well-known member
Its interesting to see for the sake of curiosity and might be useful for some fence sitters (wherever they might be!). In terms of functionality, its more apples to oranges.
 
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Bryan Stephens

Workshop Member
First, the lenses do make a huge difference. Coming from a tech cam shooter that had the 40HR on my Cambo, there was not much that could compete with it.

Second. It is not only a comparison of the Pentax against the Alpa but what back is the Alpa using.

Many many reviewers on the net consider the sensor in the Pentax to be one of the finest on the market (especially for the price point as you are roughly 1/3 the price of the Hasselblad and 1/5 the price of the Phase kit), but again, that is a matter of personal taste.

If you prefer to shoot with a dslr body, then the Pentax is an extremely good choice as your latitude is great considering that it is equipped with the Sony CMOS sensor (the same as in the IQ 250, 350) The one drawback is that Pentax do not have a sizable stable of lenses that can keep up with that sensor, but you can use the Hassy V lenses with an adapter.

On the other hand, if you like the versatility of being able to shoot with a DSLR or a tech cam, then the Pentax won't work, unless they come up with a way to mount it to an Actus (which to me is not quite the same thing).

Lastly, it is difficult to compare jpegs from two different processing software suites as each one uses its own algorithms to do the work.
 

GrahamWelland

Subscriber & Workshop Member
I'm inclined to think that the back/sensor is irrelevant in this comparison due to the vast gap in lens performance.
 

tjv

Active member
I think this test is interesting in that in a previous thread here the 645Z with the 28-45mm zoom was compared to an 80mpx Phase back with the new, blue ring Schneider 35mm and 55mm LS. Differences in that test were pretty marginal to most peoples eyes. While this might count more as a lens test to some, what it does prove is that the 35mm and 55mm Schneider SLR lenses–at least the copies tested in the other thread–aren't especially good when compared to the Rodenstock HR offerings shown here. Differences in colour etc seem negligible to me, unless you must rely on straight out the box colour more often than not.
 

JeRuFo

Active member
I think the comparison is quite just (though not fair), because people ask why you would spend so much more money on a P1 back and a tech cam while the 645z has the same sensor. This shows why.
As far as the lens comparison, both are the obvious choice with both systems. If you need a wide angle on the Pentax there isn't much better than the 28-45.
 

dougpeterson

Workshop Member
I think this test is interesting in that in a previous thread here the 645Z with the 28-45mm zoom was compared to an 80mpx Phase back with the new, blue ring Schneider 35mm and 55mm LS. Differences in that test were pretty marginal to most peoples eyes. While this might count more as a lens test to some, what it does prove is that the 35mm and 55mm Schneider SLR lenses–at least the copies tested in the other thread–aren't especially good when compared to the Rodenstock HR offerings shown here. Differences in colour etc seem negligible to me, unless you must rely on straight out the box colour more often than not.
The test of the 35LS was severely hampered by being using at f/14; well beyond diffraction limit of the 80mp digital back.

It was like comparing a McLaren to a Mustang while having both tow a boat behind them.
 

Bryan Stephens

Workshop Member
I think the comparison is quite just (though not fair), because people ask why you would spend so much more money on a P1 back and a tech cam while the 645z has the same sensor. This shows why.
As far as the lens comparison, both are the obvious choice with both systems. If you need a wide angle on the Pentax there isn't much better than the 28-45.
Two different tools for two different methods of photography. One excels for pure IQ for architectural and landscape work and the other is able to do that, plus studio, fashion and "street" work albeit with difference in overall IQ.

It depends on what you are using said tool for, and what your budget allows for. In the end, no matter how much you spend on your kit, if you don't have the passion or ability then it is of little use either way.
 

kdphotography

Well-known member
....
As for Pentax, they are getting quite aggressive.

http://www.bhphotovideo.com/c/product/1200235-REG/pentax_kb16599_645z_medium_format_dslr.html

3K overall savings. Note the value add warranty.

Paul C
Nice kit, all in a ready to go hard side case. Pentax took notice of Phase's packaging :ROTFL:

Smart offering by Pentax, making it 'easy' putting a good base kit all together. This year has been way too expensive already---this would be a kick-*** camera to convert to full spectrum/IR. I certainly can't justify a wide spectrum or Achromatic MFDB.

ken
 

Pradeep

Member
Two different tools for two different methods of photography. One excels for pure IQ for architectural and landscape work and the other is able to do that, plus studio, fashion and "street" work albeit with difference in overall IQ.

It depends on what you are using said tool for, and what your budget allows for. In the end, no matter how much you spend on your kit, if you don't have the passion or ability then it is of little use either way.
Agree.

It is impossible to do an honest and fair comparison of two camera systems that are so different fundamentally.

For general purpose shooting and versatility you cannot beat a small format 'lens on a box' camera. Most of us would be willing to compromise on IQ in such cases. Absolute best quality comes at a cost - not just in terms of money.

So in a hypothetical world, if money were no object we would still exert a certain choice, based on form factor, IQ, convenience and not least of all, shooting needs.
 
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