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Hmm... the bars extend a few millimetres further forward than the front of the lens - probably about a centimetre - and this must mean that some of the light going in the lens is not passed through the LCC sheet but is being reflected back off it, since the card is wider and taller than the space between the bull bars.
No Dremel? What a crime. I dont' know what I'd do without mine.
Tim,
That's the very same one I custom fit. While it is smaller I also found it just a tad to large to fit in-between the bull bars of my 35mm so I did my minor operation to make it fit better. The cut down version also works well with my 72mm.
It's kind of cool really. In, C1, you simply shoot a frame with the white card held directly on the lens. That frame is then saved as a "lens cast correction" or LCC file and applied to the shot. The software "knows" that whatever is not white is color cast, so it is removed, or "subtracted" from the frame. I tend to see a lot more color cast when using really wide lenses, and even more so when incorporating large amounts of movements.
Carsten, I think you could use this as long as you have C1 Pro.
Have you found a way to make this work? I tried it, but that feature is not highlighted with any raw file except P1 files on my copy?
You're probably right: I use a 'light' installation for my M8 files when I really went to get the best from them, and that doesn't have the option. My C1 Pro is for digital backs only since it came with my P45+... so I was just making a guess here.
you can do it in Photoshop. Here's a modified copy of what I've once written on LuLa:
