That rig looks just like the RRS long lens rail kit. I wonder if Phase/RRS worked out a deal?
Back to the issue, long glass, MF, Vibration.
I realized just today, that there are some situations where MF/long glass just won't work. I was on a tripod, D4 geared head, smart flex L bracket--with the Older Mamiya 75-150. The wind was blowing around 20mph gusting to what I have to believe was 25 to 30mph as it was moving me at times. The wind was constant and never really dropped below 15mph. It was very clear to me while attempting to focus via Live View just how much vibration was happening as I basically was never really able to get a clear image to focus on, due to the movement. Capturing a image was really a guess as the vibration seismograph on the XF, just ran out to the max time, then fired, net it never found a time when movement was not happening. I have noticed that the RRS carbon fiber tripod I use, is susceptible to vibration due to wind and I should have taken a different tripod. The only real thing that would have worked during this shoot IMO was either lens vibration reduction (like used with Canon or Nikon) or sensor stabilization as used by Sony. I don't see the sensor stabilization coming to a digital back, (would be nice) and I can't imagine the cost of the 240LS, if Phase One added VR to the actual lens.
With the advent of the ES on the IQ100, my long glass exposures have improved dramatically. Both with the 240 LS and 75-150, very sharp across the frame captures. Independent of shutter speed. But today, with the wind really blowing and never letting up, I just gave up with the long glass, and pulled out the Fuji and 100-400. No problems there.
I have carried the RRS long glass rail system in the past, but on this trip I chose not to carry it as it's a considerable amount of weight.
On a previous trip, with the 240LS, I was able to capture several great shots of the moon, just with the D4 head and smart flex bracket, and the ES shutter.
On this trip, the movement was really extreme. No problems with the 35mm or 55mm, and I was able to focus Live view with them with no problems. But once I got to the long glass, the issues overcame me.
Paul Caldwell