Paul_Arthur
New member
Hi Everyone
I'm new to the MFDB world and haven't used Capture One before, and so am a little bit bemused by it all.
I've got an IQ350, with an XF and that's fine, but sometimes I need to stitch images made on my Techno. That's where I start having trouble.
For example, if I have a three shot stitch I need to do with LCC profiles attached - the Stitch in Photoshop script returns an unknown error, so that won't work, and what I'd ideally like is to arrive at a stitched file that C1 can still edit in the same way as it would the raw files. I have found that editing in PS as a 16 bit tiff loses me some dynamic range, and even then, I have to go back through the import dialogue to get that file back in to C1 to do edits there.
What am I missing? In my 35mm, Lightroom days I could just do highlight and white balance corrections on one image, copy them across to the others, tell it to stitch, the stitch automatically appears in the project folder and then you can make your other changes from there. I'm struggling to see how best to do it in C1 as copying adjustments copies the LCC etc etc...
It's not a huge problem unless I need to rescue some highlight from a window, for example. Exporting out and back seems to be slow and leave me with similar range as I had when using a 35mm system
Any help on recommendations gratefully received - platform changes aren't easy, and I'm finding this one particularly fraught with difficulty! 4x5 trannies were easy in comparison!
Best wishes
Paul
I'm new to the MFDB world and haven't used Capture One before, and so am a little bit bemused by it all.
I've got an IQ350, with an XF and that's fine, but sometimes I need to stitch images made on my Techno. That's where I start having trouble.
For example, if I have a three shot stitch I need to do with LCC profiles attached - the Stitch in Photoshop script returns an unknown error, so that won't work, and what I'd ideally like is to arrive at a stitched file that C1 can still edit in the same way as it would the raw files. I have found that editing in PS as a 16 bit tiff loses me some dynamic range, and even then, I have to go back through the import dialogue to get that file back in to C1 to do edits there.
What am I missing? In my 35mm, Lightroom days I could just do highlight and white balance corrections on one image, copy them across to the others, tell it to stitch, the stitch automatically appears in the project folder and then you can make your other changes from there. I'm struggling to see how best to do it in C1 as copying adjustments copies the LCC etc etc...
It's not a huge problem unless I need to rescue some highlight from a window, for example. Exporting out and back seems to be slow and leave me with similar range as I had when using a 35mm system
Any help on recommendations gratefully received - platform changes aren't easy, and I'm finding this one particularly fraught with difficulty! 4x5 trannies were easy in comparison!
Best wishes
Paul