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Well said David. We also need to realize the DR is more on the M8 . So those shadows and mid tones are flatter looking because it is opened up more. The Nikon files look more saturated because of this. Now if I went in to open that up in LR it would look the same BUT i am now starting at a different point to open up so there still will be less elbow room at the top side. But this is okay because the Nikon is not blowing the highlights which are harder to control. If the DR is less in the shadows and mid tones than we have a chance to open it . Yes I am doing all of this in LR and at whatever default Adobe setup for each companies files . No we are doing more quick and dirty here and I am NOT correcting anything except to match each other on exposure. Nothing will be perfect here, something will be off so we need to remember that and not judge to hard yet. When we start correcting things than the slight differences will be more known. Hell we are just getting our feet wet here. i can smell a LONG thread coming. LOLWhat I see here as with my own files is that the Leica images have more micro-contrast and micro-detail with smoother tonality gradations. The Nikon tends to smear small details just a tad. Less than Canon, but more than Leica, who doesn't use an AA filter. The Zeiss ZF glass is good, but I think the Leica M glass is better, especially the 75 APO and 28 ASPH. Overall, both cameras are producing nice results.
Of course, these are at 900 pixel web-sized images. I think we need some big stuff to really see the devil in the details.
David
Yes Leica first Nikon second . We need to remember different meters and AWBfor the second set of images, are you sure they're in the right order? To my (admittedly relatively untrained) eye, the top image looks more saturated in the right part of the wall, and matches the bottom image of the first pair.
Guy, great test. I'm have some of the same questions as others.
Is the D300 set to Standard or Neutral color? I always keep my D3 at Neutral and bump change later if I want in NX. Standard is too punchy for me. Don't why I'd ever use Vivid, Fog maybe? Maybe some DR is lost in Standard vs what Neutral would bring out?
NX for the D300, C1 for the M8 or ACR/CS3 for both? We all know how much of a difference that makes.
Where/when/how is USM set?
Keep going ;-)
Neil
I totally agree Guy re: GreenOne note on the Nikon watch the greens as we go. They tend to look a little unnatural , lets see as we go.
Exactly Tim and with the extra DR it maybe carrying into the highlights some also . BUT there is that recovery slider which i have yet to use yet. That will bring the highlights down in a hurry also. What we have now is some really good raw processors that even the score too. C1, Apertur , NX and LR all have these controls now. This is a huge plus for us usersThis is a great series Guy. I think it's making really good points for both systems.
The one thing that shows up well from the last pairing is that Nikon seems to handle the highlights better than the Leica, and the Leica seems to handle the low and mid tones better. This might just be my immaturity with the M8, but I tend to make different exposure decisions because of the way it's a tad brittle in the highs, but since you can push the low end around a lot more, it's no big deal.
(not sure that makes sense, but thanks for these great comparisons)