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D700 ISO 6400 - Four RAW Processors Compared

A

asabet

Guest
I was interested in seeing how different RAW apps would handle a high ISO D700 file when each one had sharpening and noise reduction set to off.

I've used Raw Developer (Mac only), Lightroom 2, Capture One 4, and Aperture. I don't have Capture NX2 and am unlikely to buy it if only because I think it should have come with the D700.

In each processor, I set sharpening and noise reduction to "0", "Disable", or whatever the minimum amount was. Otherwise, settings were left at the program defaults, which resulted in a darker image for the Raw Developer image.

Here is the center crop from each:



Some quick observations:
1) Aperture is doing chroma NR and sharpening no matter what :wtf:
2) Lightroom is doing luma NR no matter what :wtf:
3) C1 and RD are more or less "keeping it real" :salute:

I'm new to processing Nikon files, so if any of my quick obs are dead wrong, I trust that someone here will correct me :thumbup:.

Overall, I like the results I'm seeing in Aperture and will probably continue to use that application. If they get an Alien Skin Exposure plugin for Aperture, then I'll hardly need Photoshop.
 

ptomsu

Workshop Member
Only proves what I was feeling always since I moved back to Aperture from LR and C1 Pro: Aperture is far superior, already out of the box ;)

At least I like it's output (as I like it's GUI).
 

Ben Rubinstein

Active member
When ACR 4.1 was released it had some rather severe auto NR for high ISO files that couldn't be turned off. There was a big stink about it and the NR was reduced in 4.2. It still wasn't turned off though which is why I still use ACR 4.0 and DNG converter.
 
A

asabet

Guest
I did a similar quick and dirty shootout at ISO 200.

This time I tried to match the levels and sharpening in post (RD still came out darker, so I guess I didn't try too hard).

Here's an example:



Overall, my eye tends to go with the way Aperture handles the fine detail, although in this crop it rendered aliasing in an area which the others didn't (at the lower border of the brick area).
 

jonoslack

Active member
Hi Amin
Thanks for this - you try much harder than I do.
I decided on Aperture with 1.5, and now to change is such a huge job that barring a catastrophe I'll be sticking right with it.

Nice to see that it makes the best files though

:)

Incidentally, with the D700 are you simply converting to DNG, or have you done the little raw.plist hack?
 
A

asabet

Guest
Hi Amin
Thanks for this - you try much harder than I do.
I decided on Aperture with 1.5, and now to change is such a huge job that barring a catastrophe I'll be sticking right with it.

Nice to see that it makes the best files though

:)


Hi Jono, it is nice when things work out that way, isn't it!

Incidentally, with the D700 are you simply converting to DNG, or have you done the little raw.plist hack?

I've done the plist hack thanks to you for the excellent instructions :).

Occasionally I use EXIF tool to change the exif to D3 from the command line, For example, I wasn't sure if RAW Developer used the same raw.plist, so I modified the EXIF as another way to have it think the D700 files were D3 files.
 

jonoslack

Active member
It IS nice when things work out like that.

It's possible that NX2 is better . . . . but I'd rather throw the camera away than use it!

Pleased to be of service with respect to the hack. for once I kind of worked it out myself rather than simply passing on the information.

I also posted it on the Apple Aperture discussion forum . . . . had my post deleted and my wrist slapped :ROTFL::ROTFL:

They really should get a bit less arrogant and get their act together over this one. I know lots of people who aren't using Aperture because they're too slow getting camera support. They could, at least, have come out with an interim solution (like Adobe have).

Silly Apple
 

woodyspedden

New member
I was interested in seeing how different RAW apps would handle a high ISO D700 file when each one had sharpening and noise reduction set to off.

I've used Raw Developer (Mac only), Lightroom 2, Capture One 4, and Aperture. I don't have Capture NX2 and am unlikely to buy it if only because I think it should have come with the D700.

In each processor, I set sharpening and noise reduction to "0", "Disable", or whatever the minimum amount was. Otherwise, settings were left at the program defaults, which resulted in a darker image for the Raw Developer image.

Here is the center crop from each:



Some quick observations:
1) Aperture is doing chroma NR and sharpening no matter what :wtf:
2) Lightroom is doing luma NR no matter what :wtf:
3) C1 and RD are more or less "keeping it real" :salute:

I'm new to processing Nikon files, so if any of my quick obs are dead wrong, I trust that someone here will correct me :thumbup:.

Overall, I like the results I'm seeing in Aperture and will probably continue to use that application. If they get an Alien Skin Exposure plugin for Aperture, then I'll hardly need Photoshop.
Amin

Just one other observation regarding Aperture. Instead of waiting for an alien skin plug for it, why not download a trial of Nik's Silver Efex? I did that and ended up buying it and using it for both Aperture and Photoshop (one license covers both apps). I find Alien Skin a fine app but I like Silver Efex better. The grain is more film like and the use of control points (from U point technology) is a real plus. I doubt that, even having spent a lot of money on Alien Skin Exposure 2 that i will use it any longer for black and white conversions.

Hope this may help in some way

Woody
 
A

asabet

Guest
Amin

Just one other observation regarding Aperture. Instead of waiting for an alien skin plug for it, why not download a trial of Nik's Silver Efex? I did that and ended up buying it and using it for both Aperture and Photoshop (one license covers both apps). I find Alien Skin a fine app but I like Silver Efex better. The grain is more film like and the use of control points (from U point technology) is a real plus. I doubt that, even having spent a lot of money on Alien Skin Exposure 2 that i will use it any longer for black and white conversions.

Hope this may help in some way

Woody
Hi Woody,
Thanks for the advice re: Silver Efex. I love the use of control points in Viveza and after your encouragement will give the trial a go. However,Silver Efex couldn't replace Exposure for me, since I use the latter more for the color film simulations than for the B&W. I really enjoy the Astia, Portra, and Kodachrome 25/64/200 simulations. Does Color Efex do something similar?
 

jonoslack

Active member
Hi Woody,
Thanks for the advice re: Silver Efex. I love the use of control points in Viveza and after your encouragement will give the trial a go. However,Silver Efex couldn't replace Exposure for me, since I use the latter more for the color film simulations than for the B&W. I really enjoy the Astia, Portra, and Kodachrome 25/64/200 simulations. Does Color Efex do something similar?
Yes it does, although it doesn't seem to have 25 Kodachrome (does have Astia, Portra and 64/200 Kodachrome). Worth downloading the trial to have a go I'd say.
 

woodyspedden

New member
About two months ago I finally decided to take the plunge with Aperture for several reasons.........one is that Aperture recognizes the 3FR Hassy raw format and Lightroom does not and I liked the color rendition of the Aperture better as well.

Well wouldn't you know that Adobe comes out with Lightroom II and to me it is a killer. The retouch bruch alone is worth the price of entry. It gives Lightroom the ability to do selective edits with power heretofore seen only by CS3. Also the ability to port directly to CS3 for Photomerge and HDR is a really nice touch.

So thankfully I didn't invest a lot of time importing existing catalogs to Aperture. For me there is no comparison between the two tools now.

woody
 

sizifo

New member
Let me just ask one question that's not directly relevant to the discussion...

I use aperture, and have recently tried lightroom, because the raw files from my recently acquired fuji s6000 are not compatible with aperture (even after converting to dng).

Anyway, my question is: what precisely are the equivalents of the raw controls in lightroom? In particular, I miss the boost slider, which I pull down in aperture all the time.

Must say, I like the aperture results better on average. One thing which is slightly better implemented in lightroom are the presets, but lift & stamp comes close.
 
A

asabet

Guest
Yes it does, although it doesn't seem to have 25 Kodachrome (does have Astia, Portra and 64/200 Kodachrome). Worth downloading the trial to have a go I'd say.
Very interesting...

Jono, you may just have cost me a pretty penny there. If I end up buying Color Efex, I'll have to do my best to convince you to buy the Zeiss 50 macro ;).
 

Steen

Senior Subscriber Member
Colorwise I would range them like this based on the sample shot:

(1) Lightroom 2
(2) Capture One 4
(3) Aperture
(4) Raw Developer

Apparently different eyes perceive differently, or it's simply a matter of personal taste.

Here's a couple of rotated crops from Amin's excellent comparison shot (hope it's ok with you Amin ?)




-- Raw Developer ------- Lightroom 2 --------- Capture One 4 --------- Aperture -----





With my D300 I prefer to use Capture NX all the way, but that's another story.
And when I was shooting Leica M8 I actually preferred the Capture One colors over the Lightroom ditto.
It probably depends on the camera to some extent.
 
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A

asabet

Guest
Colorwise I would range them like this based on the sample shot:

(1) Lightroom 2
(2) Capture One 4
(3) Aperture
(4) Raw Developer

Apparently different eyes perceive differently, or it's simply a matter of personal taste.
Bondo, I agree with you. The mandatory color NR in Aperture is muting the color in some areas and eliminating variation in others. Furthermore, I was going to choose exactly the same pieces of crops to highlight this but got too lazy. Thanks for the rearrangement!

On the other hand, if I apply color NR only in Noise Ninja to get rid of the splotchy color noise in the Lightroom and C1 shots, then the overall color in those images becomes similar to the Aperture color.

Experienced Aperture users - is there a way to disable color NR in Aperture that I am missing here?

Here's the RAW file available for download in three flavors -> http://www.box.net/shared/obdtjhobom
  • DSC_0977.NEF is the original NEF file.
  • DSC_0977converted.NEF is the same file with the EXIF modified to make it look like a D3 file to a RAW converter that lacks D700 support.
  • DSC_0977.dng is the file converted to DNG for those of you who have already hacked your raw.plist file for Aperture support.
 
A

asabet

Guest
Tell me what you think of this one. I used the sharpening and noise reduction sliders as well as a touch of saturation, contrast, etc in each of the same four apps.

This comparison says as much about my ability to quickly use the controls as it does about the qualities of the RAW converters themselves.

Let me know what you think. Bonus points to anyone who figures out which is which :).

 

David K

Workshop Member
Experienced Aperture users - is there a way to disable color NR in Aperture that I am missing here?
[/LIST]
I haven't figured out how to disable NR or sharpening in Aperture as a preference, i.e. set it and forget it... but if you hit the + sign at the very top of the Adjustment tab (right below the word Adjustments) there is a pull down menu which gets you to NR and Sharpening. Selecting them and turning them off should get you where you want to go. Haven't tried it but I'd guess that the Lift and Stamp will apply that adjustment to any other images you'd like to select.
 

Steen

Senior Subscriber Member
From top to bottom my guess would be:

(1) Aperture
(2) Capture One 4
(3) Lightroom 2
(4) Raw Developer
 
T

tetsrfun

Guest
About two months ago I finally decided to take the plunge with Aperture for several reasons.........one is that Aperture recognizes the 3FR Hassy raw format and Lightroom does not and I liked the color rendition of the Aperture better as well.

Well wouldn't you know that Adobe comes out with Lightroom II and to me it is a killer. The retouch bruch alone is worth the price of entry. It gives Lightroom the ability to do selective edits with power heretofore seen only by CS3. Also the ability to port directly to CS3 for Photomerge and HDR is a really nice touch.

So thankfully I didn't invest a lot of time importing existing catalogs to Aperture. For me there is no comparison between the two tools now.

woody
Also LR2 +DNG Profile Editor allows even the technically challenged, such as my self, to create camera profiles that show up in LR2 when that camera is used.

Steve
 

Steen

Senior Subscriber Member
Looks like we have some small differences in the compromise between optimal Noise Reduction and optimal Sharpness.
In this case I think my favourite compromise is number 3 (or maybe numbert 2) from the top, both being pretty clean but still with good and crisp sharpness.
Anyway, the differences are subtle and being an ISO 6400 actual pixels crop I think you have done an excellent job with all of them, Amin :thumbup:
 
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