Thank you Tan for the compliments.
I just wish to remind forum readers that DP cameras quite often do not produce such clean, free from aberrations files with accurate colors and intense detail.
The more I shoot with dp1m, the more I learn its weaknesses which are induced on the tricky Foveon sensor by the 75° field of view lens design. Unlike dp2m files, the former shows noticeable traces of transverse CA even at f/5.6. CA correction is now turned on in my default conversion process since SPP handles it quiet well.
Green/magenta pattern noise is unpredictable even at iso100 and may color shadows with patches that are difficult to get rid of with color balancing. This issue occurs in dp1m images more often than in dp2m.
The worst offender to dp1m is a stray light. Dp1m 19/2.8 lens is very flare prone. The veiling flare adds a greenish haze that I don't find artistically attractive in any way.
f/5.6, iso160, 1/1250s
f/6.3, iso160, 1/250s
Still, regardless of the above drawbacks that may influence/limit one's composition choice, dp1m can produce files with the accutance my 6D+2/28ZE can only dream about.
Contemporary Art
f/2.8, iso200, 1/30s
I just wish to remind forum readers that DP cameras quite often do not produce such clean, free from aberrations files with accurate colors and intense detail.
The more I shoot with dp1m, the more I learn its weaknesses which are induced on the tricky Foveon sensor by the 75° field of view lens design. Unlike dp2m files, the former shows noticeable traces of transverse CA even at f/5.6. CA correction is now turned on in my default conversion process since SPP handles it quiet well.
Green/magenta pattern noise is unpredictable even at iso100 and may color shadows with patches that are difficult to get rid of with color balancing. This issue occurs in dp1m images more often than in dp2m.
The worst offender to dp1m is a stray light. Dp1m 19/2.8 lens is very flare prone. The veiling flare adds a greenish haze that I don't find artistically attractive in any way.
f/5.6, iso160, 1/1250s
f/6.3, iso160, 1/250s
Still, regardless of the above drawbacks that may influence/limit one's composition choice, dp1m can produce files with the accutance my 6D+2/28ZE can only dream about.
Contemporary Art
f/2.8, iso200, 1/30s