Michiel Schierbeek
Well-known member
Fregenal de la Sierra
FA31
Fregenal de la Sierra
FA77
Fregenal de la Sierra
FA31
FA31
Fregenal de la Sierra
FA77
Fregenal de la Sierra
FA31
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I have not used my A7r II since getting the K1. It seems soulless compared to the KI. Also, My opinion is that the K1 is the best landscape and non-sports camera available, and Pixel Shift (multishot by another name) take it another level. For non-flash static studio work, i.e. with pro quality LEDs there is probably nothing that comes close short of 100mp medium format solutions and they have limitations of their own, most notably cost and size.A request for your thoughts: I need a more portable system and am considering a K-1 to complement my 645Z. I have a K-3 which I rarely use for anything "serious", as I always regret not having used the 645Z. Should I consider the Sony A7r II rather than the K-1? I ask here, since the posters in this thread are clearly an experienced and knowledgeable group producing wonderful images with K-1, but wouldn't hesitate to recommend the Sony.
Happy New year guys...FYI it's a Triumph GT6 Mk IIHi Tom,
Here is a closer shot of that car. I did not look closely to the car but I am not sure, in my memory the Spitfire looked slightly different.
Michiel, this is really interesting. You posted other images from this area in the MF forum. But this is the image that really shines for me. The structure, color, and texture comes together rather effortlessly here to make something greater than its parts. The others feel more descriptive.From today with the Zeiss Distagon 25/2.8
I could fall in love with this lens but it is just a cold piece of metal and glass I can't talk with.
Although you do appear to make it sing!From today with the Zeiss Distagon 25/2.8
I could fall in love with this lens but it is just a cold piece of metal and glass I can't talk with.