Maggie O
Active member
So, I was wondering, in the daydreaming way that I do, why people don't use a hybrid digital/chemical printing process for B&W prints. One where you have a digital negative projected onto chemical photopaper and then developed in wet darkroom, generating a traditional gelatin silver print. Obviously, that's not going to work for a lot of applications, but I'd think it'd be ideal for fine art prints.
Wouldn't that be the best of both worlds? Or is it just not feasible?
Wouldn't that be the best of both worlds? Or is it just not feasible?