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Fun with NEX-7

scho

Well-known member
Hexe. Our resident witch that stands guard on the kitchen window sill, sweeping away evil spirits. NEX7 + Contax G 45mm f/2 Planar.

 

philber

Member
Now that I have played around a bit with my NEX 7, one thing that delights me, and has not been mentioned much, is how well it copes with dynamci range. Church scenes are some of the toughest environments for DR: basically quite dark, with windows that are hard not to blow out...
With ZM 35 f:2.0, @ f:2.8, handheld
 

ustein

Contributing Editor
> is how well it copes with dynamic range.

Yes, at low ISO it has very low noise in deep shadows.
 

woodmancy

Subscriber Member
Ken vs Ryu
Lovely image - subject, lighting, tone etc

Vivek
This subject brings out the best in your snaps :)

Keith
 

scho

Well-known member
A muscle wood log washed up on the creek bank. NEX7 with Contax G 45mm f/2 Planar. Shot at f/8 in shutter priority mode. I was having problems with camera movement at the default 1/60 sec using aperture priority mode and AUTO ISO and do wish Sony would implement user enabled min shutter speed for AUTO ISO.

 

philber

Member
Ken , please remind me not to mess with you!
Hoda, lovely car shots!
Scho, very niiiiice!
Mohammed, do you run into corner issues, and/or colour fringing with your Summilux/Nex 7 combo?
 

gurtch

Well-known member
Just got the NEX 7. Kit lens. Heavy fog & mist are real. Rain and beach stroller added in PP. RAW image converted in DXO Optics Pro.
Thanks for looking
Dave in NJ
 
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woodmancy

Subscriber Member
A muscle wood log washed up on the creek bank. NEX7 with Contax G 45mm f/2 Planar. Shot at f/8 in shutter priority mode. I was having problems with camera movement at the default 1/60 sec using aperture priority mode and AUTO ISO and do wish Sony would implement user enabled min shutter speed for AUTO ISO.

Lovely Carl - how are you processing your stuff these days?

Keith
 

scho

Well-known member
Lovely Carl - how are you processing your stuff these days?

Keith
Thank you Keith. I've been using both LR4 and C1 Pro. The latter is nice when working with lenses that require correction for edge/corner color casts because you can generate LCC profiles for correction within C1 w/o the need to convert to dng and use CornerFix.
 
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