Fun with NEX-7

[Michiel Schierbeek]

Oeps, wrong thread! :sleep006:

 

[Michiel Schierbeek]

Some wit flags with the Speedbooster but on the NEX-7 to keep this thread afloat!

And this one to make you dizzy

 

[Michiel Schierbeek]

A rooster and a flower.

 

[philber]

Two more fine examples of schierbeekian art!

[/url] _DSC4894-1 par philippeberend, sur Flickr[/IMG]

[/url] _DSC5573-1 par philippeberend, sur Flickr[/IMG]

[/url] _DSC5460-1 par philippeberend, sur Flickr[/IMG]

 

[f/otographer]

Hi again all. I have been posting so much to the Speedbooster forum in the last few weeks I thought I would change gears a bit with a sampling of recent shots done without the Speedbooster.

You will probably notice a theme running through some of the photos. I must say that recently I have been fascinated with interpreting (somewhat poorly) Meatyards 'No focus' style.

Zeiss Flektogon 35/2.8 zebra

imbalance of strata

tethered to the earth

the darkening of the light

the grass is not always greener

NEX 7 with LA-EA2 adapter and Minolta AF 50/1.7

deux lignes noires

be still

vanishing

passionate green

of natures work

LA-EA2 with Minolta AF 24/2.8

a darkening way (the black church)

Minolta MD 35/2.8

they dance alone

the veil

Minolta MC Rokkor PF 55/1.7

untitled

my what big eyes you have...

 

[JohnW]

Three from yesterday. Trying color for a change.

John

 

[f/otographer]

Great composition with the lady on the bench John. Her coat of many colors dominates that photo in contrast to the negative space on the top and sides.

 

[Taylor Sherman]

Some with the CV15 today


Untitled by Taylor Sherman, on Flickr


DSC09384_ff.jpg by Taylor Sherman, on Flickr


DSC09365_ff.jpg by Taylor Sherman, on Flickr


DSC09372_ff.jpg by Taylor Sherman, on Flickr

 

[f/otographer]

Looks like a rough neighborhood Taylor. Nicely done.

 

[f/otographer]

MC W.Rokkor HG 35/2.8, Minolta Close Up lens No.2, wide open, sooc

 

[Taylor Sherman]

Thanks f/otographer! It's a strange area. The "bad" part is only about a 1-block radius, outside of that it's regular Seattle neighborhood. And from what I can tell it's not really unsafe at all, just run-down. There are very few actually unsafe areas in Seattle, IME.

The CV15 is quite good. I might not use it as much when my Touit 12 shows up. The vignetting from the CV15 is often great (I generally find I like the effect), but the fact that it shows up in every photo gets a bit old. On the plus side, the files produced are pretty malleable - the B&W one for instance has +100 Clarity in PS, it doesn't come out as artificial-looking with this lens as it can with others IME.

Meanwhile, here's something fairly random from the 35 Cron-R:


DSC09588_ff.jpg by Taylor Sherman, on Flickr

 

[simonclivehughes]

A few recent shots from Ucluelet, on the outer coast of Vancouver Island. We are retiring here in the fall and really looking forward to it!

All with NEX 7 & Sony 18-55mm or 55-210mm lenses.

View attachment 73937

View attachment 73938

View attachment 73939

View attachment 73936

Cheers,

 

[Taylor Sherman]

From today, with the Zeiss Touit 12/2.8

 

[philber]

It didn't take you long to find out how to make that lens, sing, Taylor! Touit, touit, touit....

 

[f/otographer]

Do it Touit Taylor!

 

[Taylor Sherman]

Thanks guys! I'm happy to say it's a very good lens.

 

[Michiel Schierbeek]

Manoir d'Ango in Normandy from 1530-1544. Build by Jehan Ango, a shipbuilder and Pirate.
Italian designers were involved at the time. The last one is a house for 3200 pigeons. Asign af wealth.

 

[Michiel Schierbeek]

 

[Michiel Schierbeek]

All with the Minolta MD 24-35/3.5
It was actually not so easy to get the shots without people in it.
They walked in the frame constantly.

 

[Vivek]

All with the Minolta MD 24-35/3.5
It was actually not so easy to get the shots without people in it.
They walked in the frame constantly.

I was beginning to wonder if parts of France are also becoming like Spain with more and more ghost towns due to loss of people.