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My second image in the original post was lost after a WB correction and replacement with the full size (52 MP) original, so here it is again. Some gorge wall detail of the flora.First gorge walk of the season in Upper Treman gorge near Enfield, NY. Sony A7r + Cambo Actus + Rodenstock APO-Grandagon 55mm. Most were two shot stitches.
I'd like to see a picture of that rig, Chris.Killing time in my office. A7r on the Universalis with a Blad 40mm CFe.
NICE!Sure thing, Carlos.
I was debating going to a 17-inch unit to save money on ink and paper (I rarely print larger than 16x24 personally) but the ipf5100 has been around for years now and I suspect that a 5200 is not too far away. Same thing with the Epson 4900.Yeah, an iPF 5000 that I've had forever. Still prints like a champ, though I've replaced print heads twice now.
Interesting observation Malina, but isn't that something that can easily be solved by a different default raw conversion? At least in Lightroom I'm using different defaults conversions between my different cameras to have a more or less consistent starting point between them.Not a fan of the a77 mkII sensor color output. Very weak, desaturated OOC colors in RAW. If you haven't compared IR or DP raw sample files yet shot with Sony cameras, take a look. It looks like an S-Log flat profile is sneaking into stills.
Here you can find my test shots between a100, a850 & a77 mk2 in raw shot with the same lens.