Funny the batteries look identical. You think that's it? A7II sensor is the same as A7 except with IBIS. Guess that one's already outdated and can't be included, wow that was fast.
I take it you not have owned a digital Leica, just to be clear, correct?
@Bill Sorry I don't buy the Mx is so fragile. Been in every war zone since Vietnam. Jeez how did they ever focus? I ski with mine all the time in the winter. In the summer here is it's main bag, the black one, on the tank:
DSC02411 by
unoh7, on Flickr
It goes on very rough trails. For years. Still seems to focus fine with even the fast lenses. I'm sure it will need calibration. That's normal and can be done by many techs or by ones self. The M8 was not stopped by needing filters for color. You just put the filter on. The current M9 delimitation issues take hold over considerable time, so it's not a surprise.
If you put the A7 next to the M9 the difference is pretty obvious. The Sony screen and controls are way more in harms way, the whole build is far cheaper. Yes the battery doors are better now, I hear, and the narrow mount is better built. But overall I'm skeptical the camera is more sturdy. It's bigger, yes. Now there is IBIS to complicate things.
"Weatherproof" is a stretch compared to Canikon. Of course all cameras may fail. It's always possible. I'd like to see the Sony more sturdy. For 3kUSD I would like to see a great build.
Glad you have had a great experience with your Leicas in terms of RF ruggedness. I would certainly feel differently if I had not experienced so many issues over so many decades with so many Leica M's. Of course, I have also read thread after thread after thread of careful users complain about calibration of every sort - lens to lens variation, this one will focus close but not far, this RF should be calibrated this way for wide open shooting and this way for stopped down shooting. "I just sent six lenses and both bodies to Solm's to be calibrated together, thank goodness I have my iPhone to use for the next four months." Not all of these calibration issues would be easily handled with a tiny screwdriver and a picture of which itty-bitty screw to turn pulled from the Internet.
The filters were a huge screw up and they cost a lot more than $400 if you could even find them and that was to use the camera as intended and they were still really needed to some degree on the M9. Not to mention, some people hate putting filters on their glass because of the issues that causes. Also, stacking filters is no fun.
Using the cameras in every war zone because they were the best small choice available means very little. Those incredible war images aren't the same razor sharp images we expect today. There is a reason not many war zone images are made with Leica RF anymore despite their storied history.
Just to say it, I could get great shots with an out of calibration RF at wide aperatures. I just had to know how it was out of calibration. Then, stationary objects were easy. Moving objects harder. Change lenses and .. hey, it's anybody's guess unless I knew how it was out of calibration with that lens also.
I should mention that I did a lot of wide open shooting. Partially because the look appealed to me and partially because of my subject matter. If I spent all day shooting at mid to far distances at F/8 that would cover a lot of sins. If I never shot multiple shots rapidly that would not be an issue. If I was going to use one filter and one filter only then super duper.
I spent a lot of time twisting those little adjustment screws around to make sure my Noctilux and Summiluxes focused right where I wanted them to when shooting fast, furious and wide open.
When you want eyes in focus, you want eyes in focus.
Nothing does that like my A7r2.
Have yet to break off a mirror or control on any camera, ever.
Guess that will happen tomorrow now.
Never said the A series is weatherproof. I think the newer ones are a lot better. I said I would not hesitate to use them in the rain, in a bag, just like my Leicas.
Got some great shots last night of my family at Halloween using my A7s2. My lens was the 35/1.5 FE. Several of my favorites were over ISO 50,000. Some were over 100,000 and I still had to pull shadows. Tonight on my 15" computer slide show, which I had to repeat over an over because everyone wants to sit close, it was nothing but love.
When I handed my camera to a famous movie director to take a photo of me with my family, his comment was "Wow, this camera is a lot smaller than mine", as he handed his mega-ton Canon over to his wife to hold for a moment.
I said "I'm secure that way," then I smiled and said "Cheese."
-Bill