k-hawinkler
Well-known member
4 Sony cameras - 9 batteries! :facesmack: :banghead:
Repeat after me:
NO NEW BATTERIES! NO NEW BATTERIES! NO NEW BATTERIES!
:ROTFL:
Repeat after me:
NO NEW BATTERIES! NO NEW BATTERIES! NO NEW BATTERIES!
:ROTFL:
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Well maybe I was wrong when I said I was wrong. It seems a few folks feel about the same as I do. I guess it all depends on what you think is appropriate. But I've figured out my own solution. I've availed myself of the ignore function for a few folks. From now on you can call Sony the devil for all I care. Ignorance is bliss.Jorgen:
It turns out you are right and I am wrong. GetDPI Sony forum enjoys your fascinating and and in no way repetitive posts. Unfortunately I have a defect that makes it impossible for me to enjoy this wisdom. Adios folks and enjoy the show.
To me, autofocus, and sharpness at f1.4 are essential features. Not sure how good 85 is so I have to wait until reviews come out.Absolutely zero interest in large, heavy and extremely expensive 2.8 zooms. I don't care how good they are.
For too long I carried the heft of Canon and Sony Alpha A mount Cameras and lenses. My photography hasn't changed, I've just decided small and light is the way I want to go.
Portraiture is a particular area I take a lot of images in, I may compromise and take a serious look at the 85G. But it would want to be absolutely spectacular and ooze character for me to move from my MF primes. The f/1.4 is an absolute waste for this purpose, f/3.2 is the sweet spot for what I need @85mm, other than that everything else shot at wider apertures is purely for area isolation.
Others may have a need for it and I'm happy that Sony has come to the table with quality glass that meets their requirements.
I on the other hand feel neglected, the 35 f/2.8 & 55 f/1.8 showed what could be achieved in a small compact FF Lens changeable system, they seem to have shifted the goal posts.
So now the wait continues ....
It's nice that you like the Leica, that it works for you in ways the Sony mirrorless cams do not.Now you guys just need a real FE pro body to match with it. Don't tell me the A7RmkII make the grade ... it don't. My little finger tell me there is maybe a new FE body soon.
What would distinguish the next A camera as "professional grade"?So, I hope a professional grade A8 or A9 or whatever they call it doesn't grow too much in size and weight over the A7r2.
Now that Sony has announced their GM lens line in the way they did, it would be surprising if a new A7 type FE camera wouldn't be forth coming in relatively short order. I hope it'll beat the Leica SL in all remaining important aspects. The A7r2 already does for many features of interest to me.
What would distinguish the next A camera as "professional grade"?
Other than the viewfinder, what aspects of the Leica SL will the next Sony A camera need to exceed?
- Marc
I think "Professional" is a moving target, dependent on the profession. There are some common aspects I'd like to see in a higher spec A7R-III or A8 (or whatever).Thanks Mark. I personally don't pay any significance to the term "professional grade".
I simply used that term as it was used earlier in this thread. That's all.
My A7r2 is certainly a very fine camera.
Besides a better viewfinder all the things the A7r2 already is better at.
I certainly would hope the next A* increases overall speed and IQ as well.
USB3, larger and faster buffers to match the speed of really fast memory cards.
Better tracking, a refined user interface, similar size and weight as A7r2, etc. ... .
Mark, what would you like to see? TIA.
Jason Lanier would be one example.You guys put a lot of emotions on this tool !
Ho and do not tell me a "large amount of working pros" use the Sony system. I never seen yet a working pro with a Sony system...
A large amount of forumers yes, no doubts. Some working pros, yes, no doubt, but I never seen one yet and photography is my job. Maybe in US ?? ...
The D5/D500 sensors are surprisingly good even without Sony tech And my D700 have been serviced so he is ok for many more years. I'm a working pro and there is a VERY good reason why I continue to use this camera.On the Nikon D5/500 thread lot of interesting stuff was spewed out.
Hulyss, Buy another D700 before that rare Japan made pro camera with OVF becomes unattainable.
I said working pro not Sony sponsored "artisan" "who travelled the world If only 2% of the working pros was able to travel the world ...Jason Lanier would be one example.
Yes you are right, the photographer make the photo, whatever the tool he useHowever I've stopped as I feel the images I see people produce from all the a7 series cameras do all of the talking needed.
I added one more to the ignore list.Truth be told I lost a lot of respect for some here when it's full of other brand loyalty.