OK, I'll 'try' to keep this short.
I was a wedding shooter who used to shoot film with Leica M's, then moved to Canon in the digital age. I quit shooting for hire entirely about three years ago, then two years ago I packed away ALL of my photo gear into storage and have been shooting with nothing by an iPhone for that time. I was just tired of how gear-centric photography had gotten for me, and I really wanted to be away from it for awhile.
I found shooting with just an iPhone to be an incredibly liberating experience. Being able to shoot as soon as I felt that impulse of "Hey, I think there's a picture here..." and getting an immediate feedback loop was both fun and educational. I guess the main thing I learned is that when you feel that impulse, you're right: There probably IS a picture there, if you can make it work.
So, I want to start shooting with big cameras again, but in two years time, the landscape has changed a lot! I took inventory of my remaining gear, and I have a Canon 5d with lenses, and a Pentax 645n with lenses, but I want to keep my mind open to new options.
I want a "jack of all trades" camera kit, ideally, but I'm willing to live with some quirks if that gets me a feature I love. I've narrowed my choices down to three, but feel free to suggest something else:
1) Canon 5d Mk3, or Canon 6d. I'm familiar with the Canon interface, and the cameras fits my big hands well. If I start shooting for hire again, this is the way I'd go, and it seems like a "safe" choice no matter what.
2) Whatever used digital Leica M I can afford (max budget, $3k.) I love the Leica viewfinder, manual focus and the legacy lenses. I'm less sure that the cameras represent a solid value for $$ as regards actual sensor performance relative to the competition.
3) Sony A7xx series. This is the wild-card to me. I love the size, the sensor performance seems top notch, and the ability to mount nearly any lens, including Leica-M lenses is a huge bonus. The idea of using everything from pre-WWII lenses to the latest glass on a 21st century sensor is VERY appealing. I'm not sure how practical it is to shoot like that, and the EVF was, in the brief time I handled the camera, a real turn-off. Evident lag, and an overall unnatural look made composing on the fly seem iffy to me, but maybe it's just a learning-curve thing.
Anyway, that's it for now. I gave perhaps too much information in the hopes that I might get suggestions I hadn't considered. I'm excited to start shooting more "in earnest" now that I've been practicing "using the force." :grin: I look forward to any and all suggestions. :thumbup: