f6cvalkyrie
Well-known member
The moon with the Full Spectrum G1, and a 850nm in the Nikkor if-ed 300/2.8 + 2x teleconvertor TC300
C U,
Rafael
C U,
Rafael
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Soo many great images in this thread and it inspired me to convert my A7r to Full Spectrum for the flexibility of being able to shoot in any of the band/wavelength that the sensor sees. Should be fun. LifePixel is currently doing their 20% off sale right now so if you're on the fence there's a reason to get off of it. I used the link through Don's Blog and I don't see any reason not to help out if you're planning on conversion (unless someone else here is affiliated.)
I thought about that really hard at first but I really like to have as many options available to me. I can always get a UV filter, a visible light filter, and/or any combination of IR filters. I don't have any UV lenses yet (and I'm not sure about the response to UV on any of my current lenses) but it's something that interests me as well for fun.Tre, I would have gone for an IR conversion ( say 590nm, add stronger filters on the lens when needed) than "FS", unless you shoot in the UV with special lenses.
I plan to make my 7r IR if i get the A7II.
I'm working on a solution for infrared white balance when changing filters on a converted camera. Instead of shooting/storing a custom white balance in the camera and wondering it it suits the scene capture a WB file at the beginning using that to set the WB for all files shot using that filter. It appears to be working as planned thus eliminating the need to "wash" the files through the camera software (in my case the really wonky Sony Image Data Converter) instead opening the files in either C1 or Adobe Bridge and setting the WB there.
It's showing promise and I have Ken Doo to thank for putting me on this path.
Don
Thanks for this and I've read this I think on a previous page over the last few days. I still use Lightroom but I've been forcing myself to use/learn C1P8 the last couple months.I have mentioned this before, but for new IR users, I'll post it again. For each camera/filter combination make a camera profile in Lightroom or Adobe Bridge by:
Save a Raw file to a .dng
Open .dng in Adobe Profile Editor (download from Adobe for free)
Under the Color Matrices tab, set temperature to -85
Name and Export to Camera Profile
When you shoot a photo with that filter, select the Camera Profile in Lightroom or Bridge. You can then use the eyedropper to tweak the white balance if needed.
None in your list will do.I thought about that really hard at first but I really like to have as many options available to me. I can always get a UV filter, a visible light filter, and/or any combination of IR filters. I don't have any UV lenses yet (and I'm not sure about the response to UV on any of my current lenses) but it's something that interests me as well for fun.
Yeah I haven't updated that thing in quite a white but I suspect none that I own would be good for anything except MAYBE UV-A. Have any recommendations?None in your list will do.