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I love the textures on this one, Bob :salute:Wow, I've been gone for a few days while doing some visiting and then tearing down and upgrading my computer (new HD, new monitor, upgrade to Win 7, reloading all my software, actions, etc.) and this thread is still producing really beautiful work.
I especially like Mike's "Into the Trees" and Keith's "Christ Church Cathedral, Stanley, Falkland Islands".
Here's a corn crib at a farm nearby.
Thanks for the welcome, Michael. I'll get working on that blender... the weather this time of year often keeps the Harley in a snug warm place.Welcome Don. Leave the Harley in a snug warm place for a while and start up the blender!
Mike, the mood is great. Just would be a bit worried how the large dark areas would look on a print.Ocean Fire
I was watching a documentary one night about Turner's life and paintings and it inspired this image.
Mike
Hi Uwe,Mike, the mood is great. Just would be a bit worried how the large dark areas would look on a print.
I really like these images of yours inspired by Turner's light (or rather - dark).Here is another image inspired by Turner.
+1I really like these images of yours inspired by Turner's light (or rather - dark).
Thanks. I guess I've been going thru a dark period with my images. At least that's what my wife says.I really like these images of yours inspired by Turner's light (or rather - dark).
I love dark. But these prints need strong museum light to show what they are.Thanks. I guess I've been going thru a dark period with my images. At least that's what my wife says.
Mike
We have a variety of prints hanging in our house from light to dark and we also have track lighting, so the prints that need it, get the good spot and others don't need direct light.I love dark. But these prints need strong museum light to show what they are.