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that would have been the G1In other words, I want a body for about $800, not a body-lens combo for $1800.
That I have, but if this thing is a couple stops better in the ISO category, I'd like it.that would have been the G1
:ROTFL:
certainly that image is ugly, but I don't think that a -3 stop underexposure is a proper simulation of the pushing. There is no appropriate analog gain applied to the signal to move it away from the floor noise. This stuff happens at the analog side of the sensor before A to D conversion. Playing with the RAW file isn't quite the same.That I have, but if this thing is a couple stops better in the ISO category, I'd like it.
BTW, you know how Nikon released the D3s with a workable ISO 25,600? (They claim 102,400, but that's pushing it). This is the G1 at 3200 with a -3 stop underexposure, a simulated 25,600. The full-sized image below (link) is not for the faint of heart.
True, the chromatic problem gets worse as you drop in ISO and raise brightness values to compensate. But my idea would be that the Nikon's 25,600 ISO is eminently usable, that is how far Nikon has gotten and if we could somehow get 2 more stops above a current G1's high ISO performance, one of the only issues with the camera would be resolved very well. And I could use my D300 even less!certainly that image is ugly, but I don't think that a -3 stop underexposure is a proper simulation of the pushing. There is no appropriate analog gain applied to the signal to move it away from the floor noise. This stuff happens at the analog side of the sensor before A to D conversion. Playing with the RAW file isn't quite the same.
you've got my vote!if we could somehow get 2 more stops above a current G1's high ISO performance, one of the only issues with the camera would be resolved very well. And I could use my D300 even less!