Jorgen Udvang
Subscriber Member
This good:
This image was underexposed and lifted 1.5 stops in ACR. It's shot with the cheapish Panasonic 100-300mm II, wide open at 264mm and f/5.4. I'm often surprised what I get out of this combo.
The colour shift of her velour top is from the stage lighting, not the processing.
GX8 with Pana 100-300mm II @ 264mm and f/5.4
I'm sure it would be even better if it had been shot with a D850 and a Nikkor 200-500mm f/5.6, but that's 3 kg of gear at $5,000 while this is 1 kg of gear at $2,000.
This image was underexposed and lifted 1.5 stops in ACR. It's shot with the cheapish Panasonic 100-300mm II, wide open at 264mm and f/5.4. I'm often surprised what I get out of this combo.
The colour shift of her velour top is from the stage lighting, not the processing.
GX8 with Pana 100-300mm II @ 264mm and f/5.4
I'm sure it would be even better if it had been shot with a D850 and a Nikkor 200-500mm f/5.6, but that's 3 kg of gear at $5,000 while this is 1 kg of gear at $2,000.