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WRT the EM1X you are completely right - 2 batteries in the grip body only (especially these 2 high capacity batteries that come since the EM1.2) are a big advantage.Here is one more thing I like about the design of the EM1X versus every other m43rds camera I own. Whenever possible I have a battery grip attached to my cameras. With all my other m43rds cameras when a grip is attached one battery is in the camera body and the second battery is in the grip. So if I need to change both batteries I have to remove the grip to get to the first battery. I had to do that today with my Pana G9. That is obviously not the case with the EM1X. Pulling out the single battery tray with 2 batteries in the EM1X is an excellent design.
I can imagine that any pro photographers using the EM1X will appreciate being able to quickly swap 2 batteries without removing a grip first.
Fuji did something similar with the battery grip for the XT3...although it is even better than the EM1X because the XT3 grip contains 2 batteries and the XT3 body still holds the original battery (3 in total)! :thumbs:
Gary
Same for me - but having said that I am still very sceptical that this EM1X was the right move at this point in time (when camera sales are constantly shrinking worldwide) especially for Olympus. They need to attract professionals and I am not sure at all if they will succeed as professionals are usually a very conservative crowd. So jumping into a much smaller sensor and at the same time trusting in a company that is so much smaller than the leaders even calculating in all the innovations - I don't know if that model will succeed. My guess is that a radically improved EM1.3 or EM5.3 with BSI sensor and a much better EVF (looking at Panasonic S1/S1R) in combination with their usual improvements of IBIS would have been the smarter move.I suppose that from a strictly direct sales and profit perspective, one might think that Nikon and Canon don’t need to produce pro bodies like the D5 and 1Dx. Nonetheless, in doing so they have set a high bar and standard for photographers who need (or want) that level of performance. I applaud Olympus for making a serious effort to compete at that level for the m43rds format, even if most traditional m43rds buyers don’t need the capabilities of the EM1X. This is one more reason I am happy to support Olympus with my $$... I would like to see m43rds cameras and lenses be competitive at many different levels, not just as being the smallest and lightest.
Gary
I feel the need to answer this too. Adobe seems very interested to have your photos live on the cloud. When they finish their final port to whatever final LR will look like, all will go to the cloud- not my photos.Gary,
sorry but I need to answer this one. I was thinking exactly like that. But there are two facts wrong in this calculation:
1) you can cancel the Adobe subscription plans anytime - so it is not for the rest of your life
You could buy Capture one and decide when you want to upgrade. You don't need to upgrade anything if the version you got does what you want. It's not forced on you.2) buying C1Pro costs around €280.- an upgrade usually ever 18 months is typically around €160.- or so. This means that a subscription plan for around €120.- a year is more or less exactly the same you pay for staying on the latest release of C1Pro
I definitively don't want my photos, my intellectual property on their cloud. Again, you can be ok with that, and that's great, we all have different needs and wants.3) this Adobe subscription plan opens you LR Classic, LR CC and LR CC Mobile together with I think 20G storage in Creative Cloud. This allows you totally different ways to work with your photos, import to mobile devices and have it simultaneously synced over the cloud with LR Classic where finally you can store your photos and videos locally and hence never run over the 20G cloud limit.
The prison is that if you have your entire collection in LightRoom and one day decided to move you are stuck. But again, if it works for you that's great.So the argument that lifelong prison in the Adobe ecosystem is not true, it is not more expensive and it opens up a number of new ways to work and share. This were the main reasons for me to subscribe and I have not regret it.
Don't agree to that. More so if you are using Fuji Xtrans.Mind you I am also running the latest copy of C1Pro since the beginning and I also have synced all my locally stored photos (catalog) to C1Pro, so I can see which is better. I have extensively compared IQ over the years between the two and while there were clear IQ advantages to C1Pro some years ago I must say since the latest releases of LRxyz these differences have vanished, I dare to say that meanwhile it is often the other way around that I prefer the outcome of LR and Adobe products and that becomes even more true with their latest Enhance feature where AI is used to significantly increase detail and overall sharpness of photos without any artefacts.
I think it's great that LR works for you. I think it's fine that other raw converters works better for other people.All of this together put an end for me to that boring and lifelong discussion if and why and what etc. is better - LR or C1Pro - and I concentrate on taking, organising and sharing my photos videos in the most convenient way.
PS: I also have tried most of the other RAW developer, DXO, Luminar, however they are called - nice toys but not really useable for a real workflow - at least not for me.
So what?I feel the need to answer this too. Adobe seems very interested to have your photos live on the cloud. When they finish their final port to whatever final LR will look like, all will go to the cloud- not my photos.
Of course, they promise this or that. Don't care- they already broked a major promise- or made the promise in such a political way to get away with it.
You could buy Capture one and decide when you want to upgrade. You don't need to upgrade anything if the version you got does what you want. It's not forced on you.
I definitively don't want my photos, my intellectual property on their cloud. Again, you can be ok with that, and that's great, we all have different needs and wants.
The prison is that if you have your entire collection in LightRoom and one day decided to move you are stuck. But again, if it works for you that's great.
Also I find Capture 1 Pro has gotten better than LR anyway, but again, each of us should use what works for each of us.
Don't agree to that. More so if you are using Fuji Xtrans.
I think it's great that LR works for you. I think it's fine that other raw converters works better for other people.
- Ricardo
Of course, it may not work with your new camera, but that is beside the point, right?You could buy Capture one and decide when you want to upgrade. You don't need to upgrade anything if the version you got does what you want. It's not forced on you.
Nah...I think we are both ok Jorgen. Just a slightly elevated case of GAS. Fortunately, we are both steering clear of the high end Phase One, Hasselblad, Arca Swiss etc cameras, digital backs and lenses. That’s where the serious dangers to one’s financial and mental health lurk and which might require professional assistance or intervention.Thanks, Gary. I want both... and a GH5s. Do I need to see a shrink :loco:
I need to see a shrink ......…… in the size of the E-M1XDo I need to see a shrink :loco:
For anyone interested in BIF AF performance of the EM1X. A friend of mine who shoots alot of BIF with a EM1.2 (plus a Sony A9, Canon 1D.4 and 7D.2) is considering a EM1X and shared this with me.
Petr Bambousek | Wildlife Photography | Olympus E-M1X – Autofocus
And here is a link to his overall review of the camera.
Petr Bambousek | Wildlife Photography | Olympus OMD E-M1X review
Gary
Hi Ric. If my friend decides to buy a E-M1X I’m sure he will do a thorough test of shooting BIF and a comparison with his A9 etc. In that case, I will certainly report back here re his impressions.
Gary