mathomas
Active member
Lost the link to this one above
Nice light here.
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Lost the link to this one above
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Contax RX with Zeiss 50mm f/1.4
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Steve,Steep curves; learning curves, that is: 120 B&W film, bathroom developing and scanning. A lot of variable to strain an aging brain. :>) First efforts from which among other lessons learned are: don't rewind film against the dark slide, the agitation protocol does affect results and dust is a PITA. (Santa Fe, Tetons, and the less photographed part of Mormon Row, JH, Wy.)
Steve
More from the temple.
Contax RX with Zeiss 50mm f/1.4 and Fuji Neopan 400
I much prefer yours; for want of a better analogy, it's the difference between a mechanic and an artist.Steve, those are spectacular. It must be great to have those photo ops -- here is what I shot last night (in addition to the pig)
Scott: I think this is the best photo you've posted...and, you've posted some really excellent photos. Like Cindy said the colors and shadows are wonderful. They seem to wash across the wall. :thumbup:Steve, those are spectacular. It must be great to have those photo ops -- here is what I shot last night (in addition to the pig)
Really good first results! What did you develop in? Do you feel you over-agitated?Steep curves; learning curves, that is: 120 B&W film, bathroom developing and scanning. A lot of variable to strain an aging brain. :>) First efforts from which among other lessons learned are: don't rewind film against the dark slide, the agitation protocol does affect results and dust is a PITA. (Santa Fe, Tetons, and the less photographed part of Mormon Row, JH, Wy.)
Steve
Thanks Matt!Scott: I think this is the best photo you've posted...and, you've posted some really excellent photos. Like Cindy said the colors and shadows are wonderful. They seem to wash across the wall. :thumbup:
Cheers, Matt
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