k-hawinkler
Well-known member
Rio Grande
GFX 50S • GF23
GFX 50S • GF23
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Looking good this frame addition, Pete.I wanted to install Joe Colson's fun and very clever framemaker Script into my photoshop 2019 version and I needed a shot to practise with so here is my fun shot for today featuring my fancy pants bag whioch allows me to put a GFX and all my curent lenses in it as well as 13inch laptop and an Ipad and charger and spare batteries etc...the bag is made by Oberworth - also fits my SL| 24-90 |90-280 and soon to arrive SL 50 Summilux ...
The Fuji GFX 50S + Battery Grip + Fujinon GF120mm F4 R LM OIS WR Macro lens + Peak Design Clutch pose no problem for me at all weight-wise and the Clutch assures that I don't drop the system accidentally. Knock on wood! :grin:
You'd have to ask him Bart.Looking good this frame addition, Pete.
I wonder if Joe's script could be made to work for C1P too ...
I should, but I don't think he's using C1P.You'd have to ask him Bart.
for that building, Bart, I prefer your first take on that picture (as I remember it), while this one "hurts" the special building and view......
| gfx 50s | kipon ef-gfx af | sigma art 135/1.8 |
CI's definition of 'layers' is more marketing than reality. In reality CI limits 'layers' to local adjustment tools. Current version of CI does not allow for somethingf as simple and routine in PS for example a B&W 'layer' to be blended over a colour layer or a background to become just a layer ...Joe's frame script for is probably written in Java - and makes use of a lot of layer tools and modes beyong what simple 'actions' or droplets can do eg customising the process by providing choice ....Which is why I can't comment on wether something could be done in CI - not my area of knowledge or expertise.I should, but I don't think he's using C1P.
If the strongest element(s) in a photograph are vertical(s) then a wide view is probably not diong the subject matter justice.for that building, Bart, I prefer your first take on that picture (as I remember it), while this one "hurts" the special building and view...
If the strongest element(s) in a photograph are vertical(s) then a wide view is probably not diong the subject matter justice.
A comment to wide, "Xpan style" crops:
Wide crops are excellent for story telling. There's room for the main subject as well as other elements that describes his or her situation or history. To use it efficiently, one has to think a bit like a video photographer, think movement, although a still will freeze it. This is of course also one of the reasons why a wide format is used for video and even more so for feature films. This is also the reason why vloggers shooting vertical video will never be able to tell a story other than about their latest pimple.
Thank you guys for your time and comments: much appreciated !for that building, Bart, I prefer your first take on that picture (as I remember it), while this one "hurts" the special building and view...
Well Bart. No problem at all.K-H, just wondering: how did you attach the clutch to your camera ? Can you share a picture ?
Reason for asking is I'm still scratching my head how to attach a wrist strap to these odd lugs.
TIA
No, not at all Bart, the way I use the clutch.The way the lugs are designed and the clips attach will put a lot of strain on them especially IMO with the clutch (or any wrist strap).
TIA