logan.egbert
Member
This one is going to be rough, but the truth is, my plans for this camera just never really panned out. I just end up going with my medium format rig in the studio instead of this bad boy.
This is an excellent copy (version/example) of the Nikon F6, the most advanced 35mm SLR I've ever seen. It's absolutely phenomenal in all regards. It works with every Nikon lens out there, save for the new E series (like the new 105mm f1.4), and has the best in-body meter I've ever used. Oh, and I dare you to find a more satisfying shutter sound.
In any case, I have the body, F6 strap, the DK-17M magnified eye piece, the DK-19 rubber eyecup as well as a virtually new MB-40 hand grip that takes AA batteries (not pictured, it's in the studio).
Asking $1,100 for the entire kit. You'll be hard pressed to find a nicer F6 in the US.
I also have lots of fresh Tmax 400 film and some rolls of Silvermax 100, which I'll sell at cost. I'll get the exact count when I'm in the studio later today.
This is an excellent copy (version/example) of the Nikon F6, the most advanced 35mm SLR I've ever seen. It's absolutely phenomenal in all regards. It works with every Nikon lens out there, save for the new E series (like the new 105mm f1.4), and has the best in-body meter I've ever used. Oh, and I dare you to find a more satisfying shutter sound.
In any case, I have the body, F6 strap, the DK-17M magnified eye piece, the DK-19 rubber eyecup as well as a virtually new MB-40 hand grip that takes AA batteries (not pictured, it's in the studio).
Asking $1,100 for the entire kit. You'll be hard pressed to find a nicer F6 in the US.
I also have lots of fresh Tmax 400 film and some rolls of Silvermax 100, which I'll sell at cost. I'll get the exact count when I'm in the studio later today.