photoSmart42
New member
I realize the answer is likely obvious, but I'm looking to make a smart decision in purchasing a high-quality scanner for my film activities. I'm looking in particular at the Nikon 9000 ED, the Minolta Multi Pro, the Imacon Flextight (X1), and something more exotic like a Creo Eversmart Pro II. I'm shooting a mix of 35mm and MF (6x6, 6x7), and eventually going to play with 4x5 LF. I'd like to have the ability to sell prints for any type of film, so I'm thinking at least 10x enlargement.
Some salient points about each of those scanners:
1. Nikon 9000 ED:
+ newer than the others
+ scans up to 6x9
+ 4000 DPI resolution in all formats
+ DMax 4.8
~ large-ish
~ pricey-ish ($2000)
2. Minolta Dimage Multi PRO
+ 4800 DPI resolution for 35mm
+ scans up to 6x9
+ DMax 4.8
+ smallest
+ least expensive ($1500)
- MF scans only 3200 DPI (48000 DPI interpolated)
3. Imacon Flextight (X1)
+ 8000 DPI for 35mm
+ scans up to 4x5
+ DMax 4.6
- MF scans only 3200 DPI
- LF scans only 2040 DPI
- very expensive ($5000)
4. Creo Eversmart Pro II
+ scans all film sizes at full resolution
+ large batch scanning w/ XY stitching
+ DMax 4.0
- 3175 optical resolution
+ 'lossless' 8000 DPI interpolated resolution
- very large
- expensive maintenance
- very expensive
I'm pretty sure I can get my hands on a Creo for about $3500-$4000, including a G3 Mac, software, calibration slide, holders, masks, manuals, etc. I think that's less than the price of the Imacon. The question I have is regarding the interpolated resolution on the Creo, particularly regarding 35mm negatives - how does an interpolated 8000 DPI scan on the Creo compare to a true 8000 DPI scan on the Imacon, for example?
As expensive as the Creo is, it's alluring because it can scan the LF film at high resolutions, and because of the batching. That might allow me to offer scanning services for other film shooters without taking a whole lot of my time (I can scan an entire roll, perhaps two, at once).
I appreciate any thoughts you all might have on this.
Cheers!
Some salient points about each of those scanners:
1. Nikon 9000 ED:
+ newer than the others
+ scans up to 6x9
+ 4000 DPI resolution in all formats
+ DMax 4.8
~ large-ish
~ pricey-ish ($2000)
2. Minolta Dimage Multi PRO
+ 4800 DPI resolution for 35mm
+ scans up to 6x9
+ DMax 4.8
+ smallest
+ least expensive ($1500)
- MF scans only 3200 DPI (48000 DPI interpolated)
3. Imacon Flextight (X1)
+ 8000 DPI for 35mm
+ scans up to 4x5
+ DMax 4.6
- MF scans only 3200 DPI
- LF scans only 2040 DPI
- very expensive ($5000)
4. Creo Eversmart Pro II
+ scans all film sizes at full resolution
+ large batch scanning w/ XY stitching
+ DMax 4.0
- 3175 optical resolution
+ 'lossless' 8000 DPI interpolated resolution
- very large
- expensive maintenance
- very expensive
I'm pretty sure I can get my hands on a Creo for about $3500-$4000, including a G3 Mac, software, calibration slide, holders, masks, manuals, etc. I think that's less than the price of the Imacon. The question I have is regarding the interpolated resolution on the Creo, particularly regarding 35mm negatives - how does an interpolated 8000 DPI scan on the Creo compare to a true 8000 DPI scan on the Imacon, for example?
As expensive as the Creo is, it's alluring because it can scan the LF film at high resolutions, and because of the batching. That might allow me to offer scanning services for other film shooters without taking a whole lot of my time (I can scan an entire roll, perhaps two, at once).
I appreciate any thoughts you all might have on this.
Cheers!