Fun with MF images 2021

[Satrycon]

Today I ventured South of 72nd Street! (I'm WAY too lazy to be a landscape/architecture photographer.) Again with the high camera PoV. I think I understand the point of a high camera with a wide angle lens. From eye-level, most of the frame is looking up. With the camera 8 feet in the air, you get a more symmetric treatment. ¯\_(ツ)_/¯ Leica S3, 24/3.5.

Here's the underpass to the Bethesda Fountain.

Untitled by Matthew Grayson, on Flickr

And my favorite tree:

Untitled by Matthew Grayson, on Flickr

Best,

Matt

nice shots

 

[jng]

Foggy Pacific Sunset​

WRS 1250 | IQ4 150 | SK120 ASPH | f/11 | 30s Automated Frame Average​

The month of August in the San Francisco Bay Area has so far been living up to its nickname "Fogust," perfect for my latest fog-chasing obsession. It was a treat to take in this sunset view yesterday evening from the foothills of Mt. Tamalpais (there's an ocean underneath all that fog, or so I've been told...).

John

 

[Satrycon]

GFX50R + Helios-44M-4 58mm f/2

 

[huyu]

Test shot
untouched image, IQ1-100 645DF+ 80mmLS silver | ISO100 1/125s F2.8

 

[Satrycon]

GFX50R + KMZ TAIR 11-A 135mm

 

[Satrycon]

GFX50R + KMZ TAIR 11-A 135mm

 

[Satrycon]

GFX50R + KMZ TAIR 11-A 135mm

 

[Olin555]

IQ 280

 

[Knorp]

Waagdragerhof, Amsterdam NL ... XL

| gfx-100s | gf32-64/4.0 |

 

[Ed Hurst]

Sydney's Middle Harbour extends from some well-known spots through some much less frequented little hidey-holes. Here we see one of those latter sections, with the city beyond...

Pentax 645Z with 25mm DA

 

[jng]

Twilight Fog​

WRS 1250 | IQ4 150 | Zeiss 350 Tele-Superachromat | f/11 | 1m00s Automated Frame Average​

One more image from this past weekend's adventure chasing fog waves in Mount Tamalpais State Park in Marin County, California, taken just before the light dropped to nothingness.

John

 

[stngoldberg]

Three balls
stanley

 

[diggles]

Image taken for a lighting client who designed and installed this sweet home theater. Manual focus stacking and compositing. First shot was focused on the door, the rest were focused at the far corner of the room and included separate exposures of each lighting layer.

Fuji GFX 100s | GF 23mm @ f11

 

[huyu]

BW converted
IQ1-100 645DF 80mm ISO50 1/500s F2.8

I find it very hard focusing with this combo when shooting portrait, how did they handle it? I almost use manual focus every time

 

[dwood]

'rowboat and lobster traps, low tide'
Bass Harbor, Maine
X1D / XCD 35-75

 

[ropo54]

S 100

 

[anyone]

Austria



Hasselblad 500C/M, Sonnar 180, IQ1 60

 

[stngoldberg]

Newport Grass
Stanley

 

[ropo54]

(Not yet) 'The Old Man and The Sea'

Leica S 30-90

 

[stngoldberg]

Newport Postcards
stanley