ggibson
Well-known member
Hasselblad 503cx with Zeiss Planar 80mm f2.8 CF on Portra 160
Streaks of light by Graham Gibson, on Flickr
Streaks of light by Graham Gibson, on Flickr
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My experience with Fomapan in 135 and 120 was the curl, so much curl when the film dried. Otherwise, affordable and decent results when I developed. I developed everything in Rodinal/blazinal at the time
Hasselblad 501 CM + 80 CF + Fomapan 100 + Cinestill DF96
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Hope everyone is doing well!
I am getting ready to shoot film for the next few months, and hope to be posting in this thread soon. First I need to run a bunch of test films through all my cameras. Above is a shot made in my backyard (my usual testing ground) on Fomapan 100. My first time trying this film and it is inexpensive compared to my favorites, but it does curl and may scratch easily as it has a thin base. Will try using a fixer with hardener next time when processing it to see if that helps at all. I like to use a combined developer/fixer when I know I will have a few batches of test films to process. This time I am giving Cinestill Df96 a whirl. It seems okay, but I have only ran five-120 and one-135 through it. Also looking forward to shooting a bit of the new ACROS II. Picked up 20 rolls from Adorama when they had their short-dated supply on sale. Thank you to everyone that contributes to this thread!
Kind regards,
Darr
My experience with Fomapan in 135 and 120 was the curl, so much curl when the film dried. Otherwise, affordable and decent results when I developed. I developed everything in Rodinal/blazinal at the time
Darr, this is great news!
Hasselblad 501 CM + 80 CF + Fomapan 100 + Cinestill DF96
--
Hope everyone is doing well!
I am getting ready to shoot film for the next few months, and hope to be posting in this thread soon. First I need to run a bunch of test films through all my cameras. Above is a shot made in my backyard (my usual testing ground) on Fomapan 100. My first time trying this film and it is inexpensive compared to my favorites, but it does curl and may scratch easily as it has a thin base. Will try using a fixer with hardener next time when processing it to see if that helps at all. I like to use a combined developer/fixer when I know I will have a few batches of test films to process. This time I am giving Cinestill Df96 a whirl. It seems okay, but I have only ran five-120 and one-135 through it. Also looking forward to shooting a bit of the new ACROS II. Picked up 20 rolls from Adorama when they had their short-dated supply on sale. Thank you to everyone that contributes to this thread!
Kind regards,
Darr
Oxidized developer is so disastrous, so I won’t risk. I usualla keep mixed developer a week or two. Then I use Rodinal and HC-110 - excellent shelf life as stock in small bottles. I bought Studional from macodirect in 120 ml bottles which I discard after three months opened. Then I bought Fix-ag (Agefix) in 120ml bottles which give 1l of working solution. I dicard the fix after three months Mixed.(My DD-X and Rapid Fix may be out of date since I last used it a year ago. The Fixer is clear and smells fine. The DD-X has some orange globs on the inside too of the bottle so I poured it into a clear container and it is slightly yellow.)
I think I must order some more even if it isn't in the budget.
im banne des z by FloatingLens, on Flickr
1/250 f11 @ ISO 400
Kodak Tri-X 400
Hasselblad FlexBody CP
Hasselblad CF Distagon T* 4/40 FLE
Arca-Swiss Core Leveler 75
Gitzo GT3532LS
Headquarters of a local automotive company (ZF group).interesting architectur. Apartment building?
I used to shoot Ektachrome Pro waaaaay back in the day, with both the 12/A12 and A16S backs. Love the cool, crisp colors that define Ektachrome.First roll trying Kodak Ektachrome E100 in my Hasselblad 503cx and 80/2.8:
Peter at the pumpkin patch by Graham Gibson, on Flickr