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Does that also leave image circle room for "front rise", to keep verticals straight?Ah..... missed it. Thanks for posting. I do not own that lens but have the 90 SW and the 138 float both of which are stellar. The 50 Digaron would be as wide as I would need on the GFX and as mentioned above if I needed wider then I could shift 17mm LR and have a fov of a 35mm lens.
You mean with the 50 HR?Does that also leave image circle room for "front rise", to keep verticals straight?
These are indeed a very bad news.Very disappointing to find out that the Digaron 50mm will not work with the Rotafoot on the MF-Two. I felt that the Rotafoot would add some distance between the standards and as it turns out it does. This means that the 50mm will focus to infinity when using the Rotafoot but there is no room for movements.