Fun with Medium Format FILM Images!

[FloatingLens]

silver creek by FloatingLens, on Flickr

Taken near Fluh, Austria.
3s f11 @ ISO 100

Camera: Hasselblad 205TCC
Lens: Hasselblad F Planar T* 2/110
Film: Fuji Acros 100

 

[lookbook]

Felix

Hasselblad 203 Carl-Zeiss 110mm | Trix-D76
​

... before and during a school performance I had the opportunity to take portraits of the children.
All those who wanted to be photographed were photographed in front of a white wall in the auditorium.

There were no further instructions - everyone could show what they wanted to show.

​

 

[FloatingLens]

Felix

Hasselblad 203 Carl-Zeiss 110mm | Trix-D76
​

... before and during a school performance I had the opportunity to take portraits of the children.
All those who wanted to be photographed were photographed in front of a white wall in the auditorium.

There were no further instructions - everyone could show what they wanted to show.

​

Stunning work!

 

[lookbook]

Stunning work!

thank you ..

 

[anyone]

First trial with the new Lomo XPAN. Unfortunately some flare issue which I need to solve, but I decided to show it anyway. Sometimes film work just has these random flaws.



Lomo XPAN, SK47/8, APX 400, Rodinal, Scan with Flextight

 

[ggibson]

Malefic 6x17 Triplet
Nikkor 90mm f8
Kodak Ektachrome E100


Twain Harte Lake Shore by Graham Gibson, on Flickr

 

[MartinN]

This is typical lens flare. And so characteristic with the shape of the aperture blades. f16 I think.

 

[anyone]

Glad to see I’m not alone with imperfect film images

 

[anyone]

This time the flare issue is gone. I installed a mask inside the camera.

Hamburg



Lomo XPAN, SK47/8, APX 400, Rodinal, Scan with Flextight

 

[ggibson]

This time the flare issue is gone. I installed a mask inside the camera.

Hamburg

View attachment 196708

Lomo XPAN, SK47/8, APX 400, Rodinal, Scan with Flextight

Awesome!

Vertical panos can be a bit awkward with website formatting and monitor orientations, but I love them. My last shot on this roll was a vertical pano that I am really pleased with (will share soon).

Here's my 2nd shot, testing out some star trails on slide film:

Twain Harte Night Sky by Graham Gibson, on Flickr

 

[ggibson]

This one was exposed for a bit longer


Twain Harte Star Trails by Graham Gibson, on Flickr

 

[ggibson]

Malefic 6x17 Triplet
Nikkor SW 90mm f8
Kodak Ektachrome E100 Slide Film


Acute House by Graham Gibson, on Flickr

 

[FloatingLens]

Hasselblad 903SWC – Fujifilm Provia 100F – 1/60s f11 @ ISO100​

 

[nathantw]

Hasselblad 500 c/m, 40mm f/4 FLE, Tri-X

 

[P. Chong]

Singapore CBD. This is the film version of the shot I made with Fuji GFX 50S II + Hasselblad HCD 4/28 over at Fun with MF images thread. This image was made with the Mamiya RB 67 ProSD with Sekor C 50mm lens. Interestingly, the field of view of the 50mm on the 6x7 format is about similar to 28mm on 44x33. .

Film stock is CineStill 400 exposed one stop over as ISO200. 6 minute exposure at f/32. Metered at 90s, but the exposure turned out to be 6 minutes after correcting for reciprocity failure. The glow on the overexposed parts is caused by the effect of halation of CineStill, as this is movie film stock with the remjet layer removed.

 

[ggibson]

Singapore CBD. This is the film version of the shot I made with Fuji GFX 50S II + Hasselblad HCD 4/28 over at Fun with MF images thread. This image was made with the Mamiya RB 67 ProSD with Sekor C 50mm lens. Interestingly, the field of view of the 50mm on the 6x7 format is about similar to 28mm on 44x33. .

Film stock is CineStill 400 exposed one stop over as ISO200. 6 minute exposure at f/32. Metered at 90s, but the exposure turned out to be 6 minutes after correcting for reciprocity failure. The glow on the overexposed parts is caused by the effect of halation of CineStill, as this is movie film stock with the remjet layer removed.

View attachment 197161

Maybe it’s partially the composition and brighter exposure, but I much prefer the film version!

 

[rmueller]

La Défense, Paris.

Hasselblad 905 SWC, Kodak Portra 400

Regards,
Ralf

 

[rmueller]

La Défense, Paris.

Hasselblad 905 SWC, Kodak Portra 400

Regards,
Ralf

 

[rmueller]

I am going through some strange times personally at the moment and sometimes photography comes to the rescue to make things look a bit brighter.
The series here was shot within 4-5 hours on a walk at the river port of Rhine in Mannheim, Germany which is considered one of the most important inland ports in Europe. There is activity going on 24/7 with containers moving around all the time and BASF, a giant chemical corporation contributing to the overall activity on the other side of the river.

All images are shot with the Hasselblad 905 SWC and on Kodak Ektachrome 100, a film I learn to appreciate more and more. Also, it is such a pleasure seeing MF slides on the light table when they are coming back from the lab. It is similar to the experience of seeing a black and white image develop in the dark room IMO.

Anyway, comments very much welcome.

Kind Regards,
Ralf

 

[P. Chong]

love these pics. Why is it weird to like the 1000f?

I'm one of those weirdos who likes the Hasselblad 1000f, and am trying to make some kind of meaningful images with it....


Riley and Her Turkey Feather by Vince Lupo, on Flickr


Untitled by Vince Lupo, on Flickr


At Jones Falls3 by Vince Lupo, on Flickr