Fun with MF images 2022

[Ray Harrison]

Great Sand Dunes National Park, IQ3100A / XF / SK150

 

[Ray Harrison]

Always turn around. Looking the other way at Great Sand Dunes National Park. IQ3100A / SK80.

 

[vjbelle]

Greetings from the Oregon Coast. First morning at Cannon Beach looking South at Haystack from Ecola viewpoint. A very pretty morning with just a little glow.

Ran into Chris Snipes at the same location.... good timing.

100s, Actus, 138 float, 25 seconds.

 

[vjbelle]

Can't resist one of my favorite locations in Astoria. Very nice weather conditions.

Phase 4150, 60XL, Actus 10mm rise, about 1.5 degree of tilt, Frame Average for one minute.

Victor B.

 

[bellyface]

CF095505-Enhanced-Pano by Ivan Aguiar, on Flickr
Hasselblad H4X w/80mm HC
Phase One P25 with Kolari Vision IR Chrome Lite filter

 

[jng]

Mt. Sneffels at Sunrise by John Ngai, on Flickr
WRS 1250 | IQ4 150 | SK 120 ASPH | f/11 | +/- 20mm 2-image stitch​

This image was captured shortly after sunrise in Ridgway, Colorado. We were hoping for more clouds, but nonetheless got lucky when a few wisps appeared in front of the peaks and were kissed by the sun as it rose over the hills behind us.

John

 

[Bill Caulfeild-Browne]

Rankin River, Ontario. XT/40 mm

 

[P. Chong]

An interesting building known as Ten Square, Landmark of Good, shown here in the evening. The building features a giant screen showing advertisements and seemed to be just large enough for the floors to showcase one car on each level. Being F1 weekend in Singapore when I photographed this, a couple of F1 cars were also showcased in the lower floors. Fuji GFX 50S II with Hasselblad HCD 4/28.

 

[vjbelle]

Cannon Beach about 20 minutes after sunrise at another location in Ecola State Park.

100s, 138 float, Actus with about 7mm rise.

Victor B.

 

[gurtch]

 

[gurtch]

Above photos:
Fuji GFX 100S. First image 23mm lens ISO 400 f16, next two images 100-200mm lens ISO 1600, all hand held. Raw images developed with DXO Photolab.
Dave in NJ

 

[Ed Hurst]

A few images of Melbourne taken from an hotel during a recent work trip.

Fuji GFX100S with Pentax 645 28-45mm lens @ 28mm





And now with Pentax 67 55-100mm lens @ approx. 100mm

 

[tsjanik]

Early fall light on a farm field. 50R,100-200mm

 

[Knorp]

Fen (Oisterwijkse Vennen en Bossen), Oisterwijk NL ... XL

| gfx-100s | gf120 |

 

[jng]

Roadside Colors by John Ngai, on Flickr
WRS 1250 | IQ4 150 | Zeiss 5.6/250 Superachromat | f/11​

 

[Bill Caulfeild-Browne]

Saugeen Peninsula, Ontario. XT/IQ4/40 mm

 

[vjbelle]

Coquille lighthouse just after sunset. I took this very quickly as I hadn't intended to try this image this evening and got there as the sun was almost set. I would have normally focus stacked but didn't have the time. Anyway it turned out pretty well for me.

100s, GF 80mm.

Victor B.

 

[schuster]

Titled "The Rite of Spring," after the Igor Stravinsky composition for the ballet of the same name. More than a half century ago I saw a photograph in a magazine (probably Life) of an airborne Nureyev or Baryshnikov. I thought it was made by Irving Penn, but couldn't find it on the Web. Then I thought maybe Avedon, but nope, couldn't find it. Does it ring a bell in your visual memory?

The subject is a dried Iris flower, taped to a 6" long stick, lighted by a halogen goose-neck desk lamp and a white cardboard reflector. White wall in the background, white cardboard below. Hand-held little pocket mirror to bounce some light into the shadows. Stick removed with Photoshop.

Hasselblad 503CW, Zeiss Makro-Planar 120mm on a Hasselblad Automatic Bellows Extension, Phase One IQ-160 back. ISO 400, f22, 1.5s.

Click thumbnail to enlarge.

 

[schuster]

Quiet before the storm

Perfect, Greg!

 

[jng]

Titled "The Rite of Spring," after the Igor Stravinsky composition for the ballet of the same name. More than a half century ago I saw a photograph in a magazine (probably Life) of and airborne Nureyev or Baryshnikov. I thought it was made by Irving Penn, but couldn't find it on the Web. Then I thought maybe Avedon, but nope, couldn't find it. Does it ring a bell in your visual memory?

The subject is a dried Iris flower, taped to a 6" long stick, lighted by a halogen goose-neck desk lamp and a white cardboard reflector. White wall in the background, white cardboard below. Hand-held little pocket mirror to bounce some light into the shadows. Stick removed with Photoshop.

Hasselblad 503CW, Zeiss Makro-Planar 120mm on a Hasselblad Automatic Bellows Extension, Phase One IQ-160 back. ISO 400, f22, 1.5s.

Click thumbnail to enlarge.
View attachment 197503

This is sublime.

John