Fun with MF images 2023

[DNN]

And converted via PS/Nik silver to B&W, soon to become a carbon transfer print (that's wet photochemistry, not inkjet)

 

[DNN]

For those that may not know what carbon transfer process is, here is the book I coauthored:

 

[drevil]

And converted via PS/Nik silver to B&W, soon to become a carbon transfer print (that's wet photochemistry, not inkjet)
View attachment 206281

what has happened to the trees on the upper right in the image, there seems to be close to zero detail

 

[DNN]

what has happened to the trees on the upper right in the image, there seems to be close to zero detail

There is mist drifting blowing in that direction from the falls. Here is a different viewpoint, note the mist for the section of the fall directly behind the bigger tree - the breeze blows it to the right in this image.

 

[Nokton48]

50C ELM CFV16 EI 200 2 by Nokton48, on Flickr

New to me 50mm black C T* Zeiss Distagon, Hasselblad 500 EL/M with CFV16 Digital Back set to EI 200. EV 13.5 metered through the CDS Prism Finder, produced this result.

 

[Nokton48]

50C ELM CFV16 EI 200 by Nokton48, on Flickr

New to me 50mm black C T* Zeiss Distagon, Hasselblad 500 EL/M with CFV16 Digital Back set to EI 200. EV 13.5 metered through the CDS Prism Finder, produced this result.

 

[Bill Caulfeild-Browne]

Pukaskwa National Park on Lake Superior. XF, Mamiya 300 mm APO.

 

[Bill Caulfeild-Browne]

Another from Pukaskwa. Ruffed Grouse, XF,150 mm.

 

[Ed Hurst]

Dating from 1938, SS South Steyne was built in Leith (Scotland) by Henry Robb Ltd and reached Australia under her own power before settling down into a life travelling between Circular Quay and Manly (not to mention trips out into the ocean - to Broken Bay). She remained steam-powered until retirement in 1974. Following a string of complex, political machinations (and various different periods of 'heritage' usage), she hasn't operated for years and these days is languishing in Sydney's Berrys Bay - while the modern city grows behind it.

In view of this history, I was going for a rendering that shows the vessel as a dark, ghostly figure while the lights of the modern city grow behind...

Here's hoping a fitting fate awaits her rather than slow death.

Fuji GFX100S with Pentax 67 55-100mm lens @ 80mm

 

[stngoldberg]

Driving along the coast during an overcast morning.
I saw these shapes and made a composition
stanley

 

[SylB]

Sorbonne University, Paris. Hasselblad H6D-100c + HCD24

Sorbonne_0015 by Sylvain BARTHOLOME, sur Flickr

 

[DNN]

GFX100 with 45-100 GF lens.

 

[Bill Caulfeild-Browne]

Driftwood, Lake Superior. XF/45mm

 

[SylB]

Another one from Sorbonne University. Still with Hasselblad H6D-100c + HCD24

Sorbonne_0008 by Sylvain BARTHOLOME, sur Flickr

 

[Bill Caulfeild-Browne]

Young Sandhill Crane, Manitoba. XF/150mm.

 

[Thorkil]

just some "hipshots" from Copenhagen...

Hasselblad X1D with XCD 21/4 at iso1600 1/45 f4 through C1pro23

Hasselblad X1D with XCD 21/4 at iso1600 1/45 f4 through C1pro23
​

Thorkil

 

[tenmangu81]

Thanks Thorkil for your nice pictures, good atmosphere !!
How do you process to open your X1D files with C1 Pro ? Do you use the trick "dng + ExifTool" (What I did for a long time)? Thanks.

 

[pesto]

Young Sandhill Crane, Manitoba. XF/150mm.

View attachment 206356

Young Sandhill Crane, Manitoba. XF/150mm.

View attachment 206356

And this is what that little fellow will look like in a few months. This one comes up to my door with his mate several times each week, pecks on the glass until I appear with a handful of penuts, and takes them one by one from my hand. She is a bit more reserved and I usually have to put her treats on the walkway. I am about 5'11" and he just about looks me eye to eye...big fellow but quite amiable when he wants a snack.

 

[stngoldberg]

Hurricane Lee

 

[SylB]

One last from La Sorbonne... HDD-100c + HCD24

Sorbonne_0012 by Sylvain BARTHOLOME, sur Flickr