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Both are good, depending on the shot and your preferred workflow. Your preferred aspect ratio and print size could come into play as well; the lens with more shift will give you more flexibility with ratios and print sizes, provided that you are flat-stitching.I am asking my self; Does it make more sense to have a wider lens with less movement or a longer lens with more shift?
What you think about the lens? Is it an actual HR Digitar W lens?Do you need tilt? That 40 HR on LuLa doesn't look like it's compatible with the 17mm TS adapter, and will require a pricey remount if you want tilt.
This is exactly right. There is no optical difference between blue, yellow and gold bands from Alpa.Yeah the lens itself should be identical to this one:
ALPA Rodenstock 40mm f/4.0 HR Alpagon, SB17 in Aperture Unit
Rodenstock / ALPA HR Alpagon 4.0/40 mm, SB17, in Aperture Unit, custom made for ALPA by Rodenstock. If the conversation comes to the HR ALPAGON 40mm, then the term “workhorse” usually comes up very soon – and quite rightly so, because, for many (professional) photographers, the 40mm is the...www.digitalback.com
The band color is cyan and not yellow/gold, but my understanding is there's no optical difference between the cyan and yellow/gold banded lenses optically for the 40mm (mine is the cyan/blue banded one as well).
The only difference, AFAIK, aside from the shutter and HPF ring, between the lens listed on LuLa and the version above is the version above is "SB17" mount.
f you look at the mount, it is shorter than the one listed on LuLa....this shorter SB17 mount allows you to use the 17mm tilt-swing adapter (doesn't extend all the way to the rear element). The one on LuLa has a lengthier longer mount that I do not believe is compatible with the 17mm TS adapter (if one wants infinity focus), so you would have to have Alpa remount it to SB17 mount if you want tilt.
I missed an Alpa 60xl LB last year and I'm still kicking myself over it. It was on ebay and the seller even contacted me out of the blue and brought it to my attention before it was sold. It all happened my brothers wedding weekend so I was a little distracted and it sold before I realized what was happening. Oh well, c'est la vie.This is exactly right. There is no optical difference between blue, yellow and gold bands from Alpa.
I don't think I would buy a lens mounted in a LB if it is possible to get in a SB. Not unless I knew it was a rare find like a 60xl or a 120asph. In another thread, Steve Hendrix quoted $1800-2200 to have Alpa convert a lens into an Alpa mount. That includes the helical, so converting a LB to an SB is probably not nearly as steep since it really is just exchanging the base.
Dave
Yeah that one was a great deal, esp if you got a package deal with the STC.I don’t think I want to tilt with this lens.
The price looks good what I know. It’s a starting point. Important is to know which version this is.
Thanks
I don’t think I can get another lens in the near future.Both are good, depending on the shot and your preferred workflow. Your preferred aspect ratio and print size could come into play as well; the lens with more shift will give you more flexibility with ratios and print sizes, provided that you are flat-stitching.
Stitching isn't always desirable or possible, so there is definitely something to be said for obtaining a wider field of view in a single capture. 50 megapixels is still a lot, so that gives you some room to crop when you want a narrower field of view.
Do you see yourself getting another lens down the road? That may help figure out which lens to start with.
This is exactly right. There is no optical difference between blue, yellow and gold bands from Alpa.
I don't think I would buy a lens mounted in a LB if it is possible to get in a SB. Not unless I knew it was a rare find like a 60xl or a 120asph. In another thread, Steve Hendrix quoted $1800-2200 to have Alpa convert a lens into an Alpa mount. That includes the helical, so converting a LB to an SB is probably not nearly as steep since it really is just exchanging the base.
Dave
Interesting. Significantly cheaper than Cambo.I may have posted this already somewhere, but last time I sent a lens in for barrel conversion (long to short or vice versa), it was bit shy of $600. I would peg it somewhere around $600 something today.
So a lens of choice in the wrong barrel version may not be such a deal breaker.
Steve Hendrix/CI