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Is Hasselblad still really a premium brand?

Well, from your story of your S model - it obviously is a "Premium" brand - (Definition 4). And there are folks that of pay extra for that red dot. So, sure, Leica is "Premium" brand.

I do know that while a M model is a fun camera, and I loved my olde M3 back in the day - I would not use one these days, completely unsuited for my needs - and I like the interchangeable sensor approach that goes with Modular systems - Phase, Hasselblad, Fuji (well...sorta, one upon a time)...
 
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I am happy to call Hasselblad and Leica cameras premium, as their build quality certainly does warrant that description. All other cameras are the opposite of that, which is a cheap or budget camera 🤣.
 
I do not buy for prestige or "premium"--which infers that there is an extra price for the brand name. I buy for quality and utility. If that entails paying extra, I'm OK. But this is not jewelry, I am not out to impress anyone. My Leica cameras have the logo and name covered with black tape so they to not attract (or distract) attention. Fortunately, the Hasselblad name is pretty low-key and not very well-known by the general public.
 
I don't care about premium brand, whatever that means.

I'm extremely happy with my Hasselblad system (as well as my Leica system). They make the photos I want to make, they're well made and have great lenses, and I've forgotten what the sum of all the equipment in both systems I've bought cost me. When it's time to sell something, I'll find out what the going market rate might be for whatever I want to sell, and that'll have to be good enough.

G
 
I have to push back on several points the OP makes.

First, the repeated phrasing about “the Chinese” is unnecessary and dismissive. Hasselblad is owned by DJI, but nationality isn’t the issue; strategy is. Reducing a complex global industry to stereotypes doesn’t add clarity; it just muddies the discussion.

Second, tying “premium” status solely to resale value is far too narrow. Premium brands are defined by design, performance, and the experience they deliver. Hasselblad still checks those boxes. The X2D II didn’t just shave a few dollars off; it fixed critical shortcomings in autofocus and stabilization, making it one of the most capable medium-format mirrorless cameras available today. That’s not a fall from grace, that’s progress.

Third, let’s be honest: every brand experiences fluctuations in resale. Canon, Nikon, Fuji, even Leica. If second-hand price tags are the measure of “premium,” then my refrigerator must be a luxury; it’s held its value better than some digital cameras I’ve owned.

I’ve used Hasselblad gear for forty years. Through all the ups and downs, one thing has stayed true: Hasselblad remains premium because of the images it produces, the way it’s built, and the heritage behind it. That hasn’t changed, no matter how you spin the resale curve.
 
I have to push back on several points the OP makes.

First, the repeated phrasing about “the Chinese” is unnecessary and dismissive. Hasselblad is owned by DJI, but nationality isn’t the issue; strategy is. Reducing a complex global industry to stereotypes doesn’t add clarity; it just muddies the discussion.

Second, tying “premium” status solely to resale value is far too narrow. Premium brands are defined by design, performance, and the experience they deliver. Hasselblad still checks those boxes. The X2D II didn’t just shave a few dollars off; it fixed critical shortcomings in autofocus and stabilization, making it one of the most capable medium-format mirrorless cameras available today. That’s not a fall from grace, that’s progress.

Third, let’s be honest: every brand experiences fluctuations in resale. Canon, Nikon, Fuji, even Leica. If second-hand price tags are the measure of “premium,” then my refrigerator must be a luxury; it’s held its value better than some digital cameras I’ve owned.

I’ve used Hasselblad gear for forty years. Through all the ups and downs, one thing has stayed true: Hasselblad remains premium because of the images it produces, the way it’s built, and the heritage behind it. That hasn’t changed, no matter how you spin the resale curve.
Suggesting that brand ownership has nothing to do with globalization is a bit naive. Of course it has a huge impact on product development and quality. Globalization tends to water down differences and blur what’s unique and special. And being unique and special is exactly what defines a premium brand. I don’t agree with you that my mentioning “Chinese owners” was offensive. I think you’re overinterpreting what I said and unnecessarily judging it in your own way. Let’s focus on the actual point :)

I also disagree with your last statement. You’re mixing up the result of work with the tool itself. Those are two totally different things. And the sales curve you mentioned is currently the only real indicator of whether a brand will keep growing or collapse.
 
And the sales curve you mentioned is currently the only real indicator of whether a brand will keep growing or collapse.
What about people who keep things for life? I have number of cameras predating the 60's that I am not going to let go of. So the resale value is of no consequence. Some of the brands no longer exist, and because of that their value has increased, some have changed hands and lost value. I don't really care.
 
Suggesting that brand ownership has nothing to do with globalization is a bit naive. Of course it has a huge impact on product development and quality. Globalization tends to water down differences and blur what’s unique and special. And being unique and special is exactly what defines a premium brand. I don’t agree with you that my mentioning “Chinese owners” was offensive. I think you’re overinterpreting what I said and unnecessarily judging it in your own way. Let’s focus on the actual point :)

I also disagree with your last statement. You’re mixing up the result of work with the tool itself. Those are two totally different things. And the sales curve you mentioned is currently the only real indicator of whether a brand will keep growing or collapse.

Let’s go line by line:

1. Ownership vs. Nationality
You conflate “ownership” with “nationality.” DJI is a corporation, not a monolithic stand-in for “the Chinese.” If Canon buys a company, we don’t say “the Japanese” are pulling the strings; we talk about Canon’s strategy. Precision in language matters if the goal is clarity rather than caricature.

2. Globalization and “watering down”
Globalization doesn’t erase identity. Hasselblad’s design, color science, and ergonomics are still unlike any competitor. The X2D II didn’t dilute Hasselblad; it fixed AF and stabilization, which were glaring weaknesses. That’s refinement, not homogenization.

3. Premium ≠ Resale Value
You define premium by second-hand prices. That’s a shaky metric. Leica bodies have crashed and rebounded countless times, yet nobody denies their premium status. Premium isn’t resale math; it’s reputation, heritage, and the experience of using the tool. By that measure, Hasselblad still sits in the premium category.

4. “The result vs. the tool”
You claim results and tools are separate. I’d argue the opposite: a premium tool delivers results you can’t easily get elsewhere. If the camera’s design, optics, and workflow produce a distinctive file and experience, then the result and the tool are inseparable. That’s why Hasselblad still commands loyalty.

5. Sales curve as the “only real indicator”
Sales curves show demand today, not brand longevity tomorrow. If sales were the only measure, Leica, Phase One, and even Hasselblad itself would have disappeared long ago. Yet they didn’t, because premium brands endure through reputation and artistry, not just quarterly numbers.

After forty years with Hasselblad, I’ve seen booms, busts, ownership changes, and digital upheaval. Through it all, the brand has remained premium, not because the resale market says so, but because the tools still deliver something unique.

And if the resale graph really is the whole story, it’s curious that out of forty-plus replies here, mine, being the lone female voice, was the only one worth a rebuttal. Funny how “premium” seems to get redefined depending on who’s holding the camera.
 
Suggesting that brand ownership has nothing to do with globalization is a bit naive.

Naive? Welcome to the 20th Century. International trade and multinational business operations have been around for centuries. It's just become faster to communicate, transfer funds, and ship goods over the past 100 plus years as technology advances.

Of course it has a huge impact on product development and quality.

Of course, product development can be improved by employing the skills, talent, and ideas of individuals from multiple countries to collaborate on a project. Quality can be improved by sourcing high-quality raw materials, parts, components, and assembly skills from wherever they exist in the world.

Artificially imposing geographic limitations on the above may also impose unnecessary and undesirable limitations on product development and quality.
 
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Globalization tends to water down differences and blur what’s unique and special.
How exactly? A raw gemstone is produced in one country, shipped to another for cutting and polishing, shipped to another for sale, shipped to a jeweler in another country who mounts it in their own design using platinum from yet another country — and that makes it less unique and special somehow?
 
I dont get it…for me price or premium is not the point. For me iq and user interface and usability are the things that are important. I dont know if Iwill upgrade from x2d to vers.ii but I am sure both cams deliver in the three aspects I mentioned.
 
And being unique and special is exactly what defines a premium brand.

Hasselblad currently offers the modular 907X camera which works natively with X System XCD lenses; controls the leaf shutter in H System HC/HCD lenses, making it an extension of that system; allows removal of the back sensor unit to convert V System cameras to digital capture without cables; and attaches to view/technical cameras with synchronized leaf shutter and flash operation. Is there another modular camera with those unique capabilities which enable it to serve as a bridge to connect to multiple camera systems?

The new X2D II incorporates LiDAR autofocus assist. The X System uses leaf shutter lenses instead of a focal-plane shutter in the body. Hasselblad has a unique and often praised color system that begins with extensive individual sensor calibration covering several hundred exposure and lighting variations to produce remarkable consistency in images. Those and other unique design choices come together in cameras which are different from other mirrorless system cameras. Add to the unique feature characteristics the widely admired ergonomics and industrial designs and some might say they become special.
 
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I don’t agree with you that my mentioning “Chinese owners” was offensive.

It wasn't something mentioned in passing, it was something on which you focused repeatedly — "now managed by the Chinese", "strategy under its Chinese owner" — and your narrative cast it as a fight between "Premium brands" and "Chinese manufacturers" ["Premium brands, in their fight for survival, are entering a battle they’re destined to lose against Chinese manufacturers"]

It isn't mentioning “Chinese owners”, but the overall narrative and the way in which it's framed that stands out. Premium brands and Chinese management, ownership, or manufacturers are not mutually exclusive nor are they incompatible with one another.

I think you’re overinterpreting what I said and unnecessarily judging it in your own way.

You're naturally entitled to think and say whatever you believe.

Let’s focus on the actual point :)

Whatever the point is perceived to be, I think it can stand or fall on its on merit and probably doesn't require further focus or attention.
 
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No, it’s not.

This is clearly the same kind of troll post you see on Macrumors when a new iPhone is announced. Some yahoo comes on saying now the iPhone 17 is aluminum so it is not a premium brand, does not feel as premium so it must not be a premium phone, woe is me, lol!

I have put thousands of images through my X2DII since I got it and I am getting “premium” pictures out of it. And it handles like the great tool it is.

My advice? Don’t feed the troll…
I don't agree with the OP's argument but it is surely possible to respond without resorting to the accusation of "troll" or insinuating he is a "yahoo".
At least the OP posts his name and a link to his website unlike some of the regulars here who make so many bold claims behind a veil of anonymity.
 
I don't agree with the OP's argument but it is surely possible to respond without resorting to the accusation of "troll" or insinuating he is a "yahoo".
At least the OP posts his name and a link to his website unlike some of the regulars here who make so many bold claims behind a veil of anonymity.
I did not see a link to a website.
 
I don't agree with the OP's argument but it is surely possible to respond without resorting to the accusation of "troll" or insinuating he is a "yahoo".
At least the OP posts his name and a link to his website unlike some of the regulars here who make so many bold claims behind a veil of anonymity.
Fair enough. I have just seen this “premium” goo more and more often and it just comes off as totally dismissive of a brand’s well earned pedigree and in this case, amounts to nothing of real substance.

The term troll can also be considered baiting, even by a well known member with site cred. Darr spoke to the finer points of why this is such a eyebrow raising position to take considering how well Hasselblad is doing and I have been using the Hasselblad system nearly as long as she has, ups and downs a plenty.

So I apologize, but I took offense to it as it is a system and brand that is near and dear to me.
 
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