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More news from Phase One: iXG Camera System for Cultural Heritage Applications

Guy Mancuso

Administrator, Instructor
Press release

EMBARGO: Wed, 10th May, 2017 10h CEST, 4am EST



Phase One Announces the World’s First 100MP Achromatic Digital Back

Phenomenal Clarity in Black and White Photography

COPENHAGEN, May 10, 2017 – Phase One today announced the world’s first 101-megapixel achromatic digital back -- the IQ3 100MP Achromatic, featuring a new CMOS sensor design and state-of-the-art focus on classic black and white photography. With a top ISO of 51,200, it stands out as the most light sensitive medium format digital back available today, and its unmatched resolution offers photographers a new way to explore and express their visions without compromise.

“A black and white picture has the ability to transport the viewer into a different time and place. It essentially creates the illusion of a timeless experience …a simple black and white portrait can sum up all aspects of photography for me.” --Mark Seliger, Portrait Photographer

The IQ3 100MP Achromatic’s 101-megapixel sensor is produced without a Bayer color filter, allowing all available light to be captured unaltered and unobstructed. With no color information to be interpreted, the sensor is free to focus solely on capturing the highest level of detail, nuance and luminance.

"The IQ3 100MP Achromatic enables photographers to capture a timeless expression,” said Stefan Sandor, Vice President Marketing and Product Management. “The detail, tonality and image quality must be experienced first-hand, as seeing is not only believing, but truly inspirational.”

Produced without an Infrared (IR) cut-off filter, the IQ3 100MP Achromatic can capture light outside the visible spectrum, benefitting artistic and infrared applications. These powerful imaging abilities open new opportunities for a multitude of photographic disciplines, from fine art, landscape, portrait, and architecture to scientific applications.

The new achromatic CMOS sensor provides instant Live View feedback, and the sensor’s ability to see IR light allows the Live View to display light that is normally invisible to the naked eye. Capturing in purely black and white means that even at high ISO, the details produced have an analog-like smoothness, similar to film grains on a black and white film. The absence of color makes it possible to stretch the images to the extreme and at the same time retain the pure black and white image quality demanded by the world´s best photographers.

The IQ3 100MP Achromatic Digital Back also provides an Electronic Shutter, long exposure of up to 60 minutes, HDMI output, WiFi capabilities, full IQ3 XF Camera System integration, and compatibility with other camera bodies, as is standard with all IQ3 Digital Backs.
Availability and Pricing:

The IQ3 100MP Achromatic Digital Back is available for order now through Phase One Partners: www.phaseone.com/partners Contact your local Phase One Partner to arrange a demo.

The IQ3 100MP Achromatic is available for purchase now in a limited number. Shipping will begin in early August.

The Manufacturer Suggested Retail Price for the IQ3 100MP Achromatic digital back is 49,990 USD.

All Phase One XF IQ3 Camera Systems are supplied with a free lens of choice from the Schneider Kreuznach Blue Ring prime lens range, valued up to 6,990 USD.

Manufacturer Suggested Retail Price for the XF IQ3 100MP Achromatic, including XF Camera body and free lens choice is 54,990 USD.

Schneider Kreuznach Blue Ring lenses are available now through Phase One Partners: www.phaseone.com/partners

For more details, please go to: www.phaseone.com or book a demo on: www.phaseone.com/demo


About Phase One

Phase One A/S is a provider of medium format digital photography systems and imaging solutions for professional photographers and industrial applications. Established in the early 1990s, Phase One has pioneered the field of digital camera systems and imaging software.

Phase One’s engineering and designs have produced imaging breakthroughs from high-resolution camera systems to advanced software for smooth photographic workflows and RAW file editing. Phase One’s understanding and ability to optimize hardware and software integration underscores their award-winning Capture One Pro software – widely preferred by professional photographers.

Phase One’s industrial division focuses on imaging accuracy for industrial applications ranging from aerial image acquisition to cultural heritage preservation – from mapping the globe, to protecting priceless works of art and documents.

Today, with control over all aspects of the medium format camera system supply chain, Phase One is uniquely positioned to help photographers and imaging experts everywhere stand out above the competition and realize their creative visions without compromise.

Based in Copenhagen Denmark, Phase One is dedicated to delivering the best image quality and user experience. With offices in New York, London, Tokyo, Cologne, Hong Kong, Shanghai and Tel Aviv, and with its expert teams of global partners, Phase One is committed to serving and supporting its customers worldwide.

Phase One and Capture One are registered trademarks of Phase One A/S. All other brand or product names are trademarks or registered trademarks of their respective holders.

Learn more here:
Phase One website at http://www.phaseone.com
Twitter at http://www.twitter/PhaseOnePhoto
Facebook at http://www.facebook.com/pages/PhaseOnePhoto
Google+ at https://plus.google.com/+phaseone/posts
LinkedIn at http://www.linkedin.com/company/16665

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Note to editors: For a selection of product images and examples of imagery captured by the new Phase One 100MP Achromatic Camera System, please go to: https://www.phaseone.com/media-library
 

hogweed

Member
Very nice.
It looks like a fusion of the iXR (autofocus) and the DT RCAM (Schneider lenses).
Are these 2 now discontinued?

Is the back still detachable? Can I put it on a XF system too? We digitalize aquarelle paintings on the repro table, but oil canvas (all sizes) only in vertical position with a MF Camera.
Would love to see the difference between a iXG+120mm Schneider and a XF +120 LS blue ring.
most smaller repro shooters couldn't afford to buy into both systems


Tom
 

dougpeterson

Workshop Member
Very nice.
It looks like a fusion of the iXR (autofocus) and the DT RCAM (Schneider lenses).
Are these 2 now discontinued?
The XG does combine some of the positive attributes of the iXR and RCam. Like both of those it has no mirror and is built specifically for cultural heritage applications, for example AC power is the normal expectation. Like the RCam it contains a high-durability shutter designed for maximum consistency. Like the RCam it provides absolute prevention of focus slippage when in a pointed-down use. Like the iXR it provides remote control of focus and shutter control is integrated with Capture One.

It's a really great approach; highly specialized (it would make a terrible sports camera for example) and very powerful within that specialty.

DT continues to sell the RCam both new and now also in refurbished condition.

Is the back still detachable? Can I put it on a XF system too? We digitalize aquarelle paintings on the repro table, but oil canvas (all sizes) only in vertical position with a MF Camera.
The XG is not a back+body design. It is one unit.

To change orientation on the RCam you rotate the digital back, on the XG an L Bracket with two mount points is included with the system.

Would love to see the difference between a iXG+120mm Schneider and a XF +120 LS blue ring.
most smaller repro shooters couldn't afford to buy into both systems
Under ideal conditions, the image quality will be very similar. Workflow speed, durability, automation/control, consistency, and pleasure of workflow will all favor the XG (since it is built for this specialization). But the sensor is the same and the 120LS and 120ASPH lenses are both very very good lenses. If I had to pick the 120ASPH does outperform the 120LS but both are excellent.
 

hogweed

Member
Thanks Doug for your input, exactly what i was thinking
Probably the best tool for a library/archive i can imagine.
I will probably go the XF/120mm route

Tom
 
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